技艺、生活世界与艺术

发布时间：2018-03-12 07:39

  本文选题：技艺　切入点：生活世界　出处：《四川大学学报(哲学社会科学版)》2017年03期 　论文类型：期刊论文

【摘要】：胡塞尔现象学有三层技艺概念,最高为哲学的层次。因重视技艺概念,其哲学深具艺术性的内涵,虽然这点不为胡塞尔本人所强调。藉助亚里士多德的伦理学与形而上学,可解读出德性为一种技艺,以及技艺扮演着从人为到自发再到自然生成的角色。前者引发出胡塞尔的纯粹或形式伦理学,以及哲学是一种高层次的技艺;后者发展出艺术作为合自然目的理念。生活世界两层科学性与技艺三层次间的对照关系,更能显示技艺的哲学性一面,而胡塞尔《观念二》里蕴含的深意——现象学方法作为一种技艺,企图让实事本身在自然态度中显现——则可引导出胡塞尔哲学理论的艺术性义涵。
[Abstract]:Husserl's phenomenology has three levels of technical concepts, the highest being the level of philosophy. Because of its emphasis on the concept of art, its philosophy has a profound artistic connotation, although this is not emphasized by Husserl himself. With the help of Aristotle's ethics and metaphysics, It can be interpreted that virtue is a skill, and that it plays a role from man to nature. The former leads to Husserl's pure or formal ethics, and philosophy is a kind of high skill; The latter developed the concept of art as the aim of nature. The contrast between the two layers of science in the world of life and the three levels of skill can better show the philosophical side of skill. But the profound meaning contained in Husserl's concept II, the phenomenological method as a skill, trying to make the matter itself manifest itself in the natural attitude, can lead to the artistic meaning of Husserl's philosophical theory.
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本文编号：1600620