新天使——沃尔特·本雅明和他对文化工业的思考
发布时间：2021-03-08 08:54
沃尔特·本雅明（1892-1940）一直以来被看作法兰克福学派的边缘人物。但自从上个世纪五十年代西奥多·阿德诺整理发表了他的遗作后，文学和美学界对本雅明的研究始终持续不衰。近年来，文化研究领域也兴起了一股“本雅明热”，或叫“本雅明复兴”。 本雅明的思想体系是庞杂的，涉及语言学，翻译学，美学，文学批评，文化批评和历史哲学。很长一段时间以来，对本雅明的研究都集中在他的语言观，历史哲学观以及文学批评上。本雅明的文化批评观点被挖掘出来并受到重视还是近期的事。文化批评者们发现本雅明对早期文化工业的精辟分析为当今的传媒文化研究提供了有效的思路和方法。 本雅明对文化工业的论述可以归纳为三个方面，他的读者反映观点，“灵韵”理论以及艺术政治观。他的这些观点或理论虽然本身有不完善或自相矛盾的地方，但它们在当时，甚至现在看来都具有先锋性。本雅明的推测不但预示着当今传媒时代的生活风貌，而且描述了以文化全球化，“去中心化”以及新殖民主义为特征的后现代生活场景。这篇论文仔细地从这三方面分析本雅明对文化工业的论述。 论文共分四章。引言概述了迄今为止专家、学者对本雅明研究的概貌，同时提出作者自己的研...
【文章来源】：四川大学四川省 211工程院校 985工程院校 教育部直属院校
【文章页数】：112 页
【学位级别】：硕士
【文章目录】：
Abbreviations
Introduction
Chapter One: Culture Industry as a Concept
1.1 What is Culture Industry
1.2 A Brief History of Culture Industry
1.3 A Brief Review of the Research on Culture Industry
Chapter Two: Audience Reception
2.1 Walter Benjamin's Optimistic View about the Active Role-play of the Audience
2.2 Walter Benjamin's Negative Attitude toward Mass Media
2.3 Walter Benjamin's Legacy to His Successors
2.3.1 Reader Response Theory and Morality in Media
2.3.2 Walter Benjamin's Influence on British Cultural Studies
Chapter Three: The Aesthetic Significance of Culture Industry
3.1 ”Aura” as a Concept
3.2 A Song for the Loss of ”Aura”
3.2.1 Walter Benjamin's Optimism about the Loss of ”Aura”
3.2.2 A Cross Study on Walter Benjamin's Optimism and Theodor Adorno's Pessimism
3.3 A Nostalgia for Aura
3.4 Walter Benjamin's Influence on Postmodern Theories of Culture
3.4.1 Frederic Jameson's Postmodern Culture Theory
3.4.2 New Aura Regained: Mike Featherstone's Understanding of Commerce Culture
Chapter Four: The Politics of Art: Walter Benjamin's Approach to Film
4.1 Walter Benjamin's Understanding of the Politics of Art
4.2 Reading Theodor Adorno as a Supplement to Walter Benjamin's Theory
4.2.1 Adorno: Anesthetic Effect
4.2.2 The Bluest Eyes as a Case Study
4.3 Culture Industry and New-colonialism against the Background of Globalization
Conclusion: Walter Benjamin's Position in Culture Studies and Culture Industry
Notes and References
Selected Bibliography
【参考文献】：
期刊论文
[1]解读现代主义──西方马克思主义与现代主义[J]. 吴琼. 中国人民大学学报. 2001(02)
本文编号：3070780
【文章来源】：四川大学四川省 211工程院校 985工程院校 教育部直属院校
【文章页数】：112 页
【学位级别】：硕士
【文章目录】：
Abbreviations
Introduction
Chapter One: Culture Industry as a Concept
1.1 What is Culture Industry
1.2 A Brief History of Culture Industry
1.3 A Brief Review of the Research on Culture Industry
Chapter Two: Audience Reception
2.1 Walter Benjamin's Optimistic View about the Active Role-play of the Audience
2.2 Walter Benjamin's Negative Attitude toward Mass Media
2.3 Walter Benjamin's Legacy to His Successors
2.3.1 Reader Response Theory and Morality in Media
2.3.2 Walter Benjamin's Influence on British Cultural Studies
Chapter Three: The Aesthetic Significance of Culture Industry
3.1 ”Aura” as a Concept
3.2 A Song for the Loss of ”Aura”
3.2.1 Walter Benjamin's Optimism about the Loss of ”Aura”
3.2.2 A Cross Study on Walter Benjamin's Optimism and Theodor Adorno's Pessimism
3.3 A Nostalgia for Aura
3.4 Walter Benjamin's Influence on Postmodern Theories of Culture
3.4.1 Frederic Jameson's Postmodern Culture Theory
3.4.2 New Aura Regained: Mike Featherstone's Understanding of Commerce Culture
Chapter Four: The Politics of Art: Walter Benjamin's Approach to Film
4.1 Walter Benjamin's Understanding of the Politics of Art
4.2 Reading Theodor Adorno as a Supplement to Walter Benjamin's Theory
4.2.1 Adorno: Anesthetic Effect
4.2.2 The Bluest Eyes as a Case Study
4.3 Culture Industry and New-colonialism against the Background of Globalization
Conclusion: Walter Benjamin's Position in Culture Studies and Culture Industry
Notes and References
Selected Bibliography
【参考文献】：
期刊论文
[1]解读现代主义──西方马克思主义与现代主义[J]. 吴琼. 中国人民大学学报. 2001(02)
本文编号：3070780
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