韩国著作权集体管理制度研究

发布时间：2018-03-12 09:23

本文选题：韩国著作权集体管理　切入点：使用许可　出处：《延边大学》2017年硕士论文　论文类型：学位论文

【摘要】：如今,随着数字化时代的到来及新媒体的产生,作品的创作环境和传播方式发生了深刻的变化,著作权的利用环境从传统的线下流通市场扩展到线上网络平台,作品的利用方式也日趋多样化。著作权不同于有形财产,它的价值是通过更多的传播和更广泛的运用来实现,比如,音乐作品的传播量和利用率越高,人们就越来越熟悉该音乐作品,该作品便成为流行音乐,著作权收益也会增加。著作权又不同于专利权,它的权利随着科学技术的发展而不断细化和多样化。从1990年制定的我国第一部《著作权法》到当前正在推进修改工作的《著作权法》第三次修改,作品类型增加了 "杂技艺术作品"、"建筑作品"、"实用艺术作品",权利内容增加了"信息网络传播权"。著作权集体管理组织作为著作权人和使用人沟通的桥梁,通过有效管理,保护著作权人利益的同时,促进海内外著作权流通市场,将著作权的经济价值最大化,对著作权人、作品使用人以及作品的国际利用方面都起着不可忽视的作用。从规划经济转变为市场经济的过程当中,我国著作权集体管理制度也在不断发展中,但与韩国的著作权集体管理制度相比,也存在着一定差距。韩国优质的作品资源造就K-Pop巅峰,不断地将音乐作品、综艺节目版权等向国外输出,致作品频繁地被国外地区使用。在这种著作权流通市场空前活跃的情况下,韩国著作权集体管理组织也肩负维护著作权人、作品使用人的利益乃至促进公共文化产业发展的重任,积极推进著作权集体管理制度的改善工作。如在音乐作品集体管理组织中引入竞争机制,打破一个作品领域只能存在一个著作权信托管理组织的制度现状,批准新的集体管理组织,与原有的音乐著作权协会形成相互竞争格局。且在特定情况下引入延伸性集体管理制度(ECL制度),将集中管理延伸至非会员作品,使用人使用作品的范围扩大。韩国为了让使用人更方便快捷地使用作品,建立了"数字著作权交易所"这一著作权综合信息网络平台,提供音乐、文字、新闻这三个领域的搜索、在线许可使用签约服务等,适应不断变化的市场形势。我国著作权集体管理制度相比韩国,加入集体管理组织的门槛高、非会员作品尤其是无主作品的利用风险高、欠缺著作权的数字化服务模式。在我国《著作权法》第三次修改之际,深入了解韩国著作权集体管理制度,在韩国高效率、规范化的运行制度中寻找借鉴方案。
[Abstract]:Nowadays, with the advent of digital era and the emergence of new media, the creation environment and dissemination mode of the works have undergone profound changes. The copyright utilization environment has expanded from the traditional offline circulation market to the online network platform. Different from tangible property, the value of copyright is realized through more dissemination and wider use, for example, the higher the dissemination and utilization of music works, People become more familiar with the music, and it becomes pop music, and the proceeds of copyright increase. The copyright is different from the patent. With the development of science and technology, its rights have been continuously refined and diversified. From the first copyright Law of our country enacted in 1990, to the third revision of the copyright Law, which is currently promoting the revision work, The types of works include "acrobatic works of art", "works of architecture", "works of practical art", and the content of rights has added "the right to disseminate information on the Internet". As a bridge between copyright owners and users, the collective management organization of copyright, through effective management, While protecting the interests of copyright owners, at the same time promoting the circulation market of copyright at home and abroad, maximizing the economic value of copyright, In the process of changing from planning economy to market economy, the collective management system of copyright in our country is also developing. However, compared with the collective copyright management system in South Korea, there is still a certain gap. South Korea's high-quality work resources have created the peak of K-Pop, constantly exporting music works, variety show copyright, etc., to foreign countries. The works are frequently used in foreign regions. Under the circumstances of unprecedented activity in the copyright circulation market, the collective management organization of the Korean copyright also shoulders the responsibility of protecting the copyright owners. The interests of the users of the works and the task of promoting the development of the public cultural industry actively promote the improvement of the copyright collective management system, such as introducing a competitive mechanism into the collective management organizations of music works, To break the existing system of only one copyright trust management organization in a work field, and to approve a new collective management organization. To form a competitive pattern with the original music copyright association, and to introduce an extended collective management system, the ECL system, under certain circumstances, and to extend centralized management to non-member works. In order to make it easier for users to use their works, South Korea has established the Digital copyright Exchange, a comprehensive information network platform for copyright, to provide music and text. Search in these three areas of news, use of online licensing services, etc., to adapt to the changing market situation. China's copyright collective management system compared with South Korea, the threshold for joining collective management organizations is high. Non-member works, especially unowned works, have a high risk of utilization and lack of a digital service mode of copyright. At the time of the third revision of the copyright Law in China, we have a deep understanding of the collective management system of copyright in South Korea, which is highly efficient in South Korea. Look for the reference scheme in the standardized operation system.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：D931.26;DD913

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