论推定在我国视听作品著作权归属中的适用

发布时间：2018-03-06 07:12

本文选题：视听作品　切入点：著作权归属　出处：《山东大学》2017年硕士论文　论文类型：学位论文

【摘要】：在《中华人民共和国著作权法》(下文简称《著作权法》)第三次修改的各个草案中,关于视听作品的权利归属引起了社会各界广泛的讨论。视听作品创作过程复杂,涉及人员众多,是庞大的集体协同创作的过程,因此立法对视听作品著作权的归属也做出了特殊的安排。不管是国外各国还是我国的立法选择,均将视听作品的著作权集中到制片者手中,只是立法模式不同。本文在分析这几种模式的优势和缺陷之后,认为将推定适用于我国视听作品著作权归属中具有一定的可行性。但推定在我国著作权法中的适用研究还属于较为空白的状态。因此,研究推定的内涵、制度功能以及在著作权法中适用的可行性,为视听作品各利益主体的权益分配提供了新的研究视角,对我国视听作品著作权的保护具有重要意义。本文主要采用比较研究以及文献研究的方法,通过以下五部分内容对推定在我国视听作品著作权中的适用进行了研究。第一部分是本文的背景介绍,主要介绍了推定的概念、视听作品著作权归属的概述,同时介绍了将推定作为研究视听作品著作权归属这一新的视角的原因,也即二者之间的联系。第二部分是比较法的考察。该部分主要分为两大体系分别进行介绍——版权体系和作者权体系。主要介绍了这两大体系的主要代表国家美国、英国、德国、法国、意大利的著作权保护背景、视听作品作者的认定以及著作权归属模式,并讨论了各种模式的特点及局限性,以及对我国的参考意义。第三部分首先介绍了制片者享有视听作品著作权的四种权利来源("法定转移"、"法定转让"、"法定"和"推定"),并分析这四种模式在我国视听作品著作权中适用的可能性。其次梳理了我国知识产权法中的推定规范,可知推定在我国知识产权领域的适用还处于较为空白的状态。最后结合推定的制度功能探讨推定在我国视听作品著作权中适用的可行性。第四部分是推定在我国视听作品著作权中适用的现状及完善。从我国现行立法和著作权修订中的现状和缺陷入手,提出推定适用的理论基础,并提出推定在我国视听作品著作权中适用的完善建议。
[Abstract]:In the various drafts of the third revision of the copyright Law of the people's Republic of China (hereinafter referred to as "the copyright Law"), the ownership of the rights of audio-visual works has aroused extensive discussion from all walks of life. The process of creating audio-visual works is complex. Involving a large number of people, it is a huge process of collective collaborative creation, so legislation has made special arrangements for the attribution of the copyright of audio-visual works. Whether it is the legislative choice of foreign countries or China, The copyright of audio-visual works is concentrated in the hands of producers, but the legislative model is different. After analyzing the advantages and disadvantages of these models, It is considered that it is feasible to apply the presumption to the copyright attribution of audiovisual works in our country. However, the research on the application of presumption in Chinese copyright law is still a relatively blank state. Therefore, the connotation of presumption is studied. The function of the system and the feasibility of its application in the copyright law provide a new research perspective for the distribution of the rights and interests of the various stakeholders in the audio-visual works. It is of great significance to protect the copyright of audiovisual works in China. This paper studies the application of presumption in the copyright of audiovisual works in China through the following five parts. The first part is the background of this paper, mainly introduces the concept of presumption, the summary of copyright ownership of audio-visual works, At the same time, it introduces the reason why presumption is regarded as a new angle of view to study the ownership of copyright in audio-visual works. That is, the relationship between the two. The second part is the investigation of comparative law. This part is mainly divided into two major systems: copyright system and author's right system. It mainly introduces the main representative countries of these two systems, the United States, the United Kingdom, Germany, The background of copyright protection in France and Italy, the author's recognition of audio-visual works and the mode of copyright ownership, and the characteristics and limitations of various models are discussed. The third part introduces four kinds of rights sources (legal transfer, legal transfer, statutory transfer and presumption) for producers to enjoy the copyright of audiovisual works, and analyzes the four modes in our country, which are "legal transfer", "statutory transfer", "statutory transfer" and "presumption". Listen to the possibility of application in the copyright of works. Secondly, it combs the presumptive norms in the intellectual property law of our country. The application of presumption in the field of intellectual property in China is still in a relatively blank state. Finally, the feasibility of applying presumption in the copyright of audio-visual works in China is discussed in combination with the institutional function of presumption. Part 4th is the presumption in China. The present situation and perfection of the copyright of audio-visual works. Starting with the present situation and defects in the current legislation and copyright revision of our country, This paper puts forward the theoretical basis of presumption application, and puts forward some suggestions on how to apply presumption in the copyright of audiovisual works in China.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：D923.41

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