电影作品的属性及著作权归属

发布时间：2018-07-29 15:06

【摘要】：电影是科学技术发展到一定阶段的产物，一些著作权国际公约和大多数国家都把电影作品列为著作权法保护的客体。电影作品作为著作权法中较特殊的一类作品，不是指电影剧本，而是指拍摄完成的影片。由于电影具有综合艺术性、集体性、技术性和职务性，使得电影成了一个复杂的权利客体。因此，著作权法中需要理清权利主体之间的法律关系；其中最有特色的莫过于将电影作品的著作权归属于制片人。在这种情况下，电影作品与其他作品的法律关系，法律是如何平衡制片人与导演、编剧以及原作者之间的权益就是本文研究的两个重要领域。在此前面研究的基础上，笔者提出了目前著作权法存在的法律规定缺失和不明确之处，如电影作品与原作品的关系法律规定不够清楚，，电影作品定义规定中的不足。电影作品的定义、电影作品的著作权归属在我国著作权法中具有在审判实践中解决纠纷的作用。在理论研究和实践经验方面，我国著作权法有哪些规定的还不够，需要进一步完善，本文在最后根据前面的论证研究提出现在所存在的一些问题作为参考。正文共分四部分：第一部分，是电影作品的定义。试图从电影作品的定义，电影的属性，电影作品构成要件这三个方面准确地认定电影作品。电影作品的属性是本文论证的基础，在后面的一些论述中利用电影作品的属性论证其他问题。第二部分和第三部分，介绍了电影作品与原作品关系，制作人与其他作品作者的关系。主要分析了几种立法例，以及我国著作权法中电影作品与原作品的关系。第四部分，主要讨论电影作品的著作权归属。讲了知识产权法的哲学价值基础，比较了了几个主要国家电影作品著作权归属上的规定，重点讲述了我国电影作品的著作权归属。
[Abstract]:Film is the product of the development of science and technology. Some international copyright conventions and most countries have listed film works as the object protected by copyright law. As a special kind of works in copyright law, film works refer not to screenplays, but to finished films. Because of its comprehensive artistry, collectivity, technology and duty, film has become a complex object of right. Therefore, the copyright law needs to clarify the legal relationship between the subjects of the right, and the most distinctive one is to attribute the copyright of the film works to the producer. In this case, the legal relationship between film works and other works, how to balance the rights and interests between producer and director, screenwriter and original author are two important areas of this paper. On the basis of the previous research, the author points out that the present law of copyright law lacks and is not clear, such as the relationship between film works and original works is not clear enough, and the definition of film works is not clear enough. The definition of film works and the ownership of the copyright of film works play an important role in resolving disputes in our country's copyright law. In terms of theoretical research and practical experience, what provisions of Chinese copyright law are not enough and need to be further improved. In the end, according to the previous argumentation research, this paper puts forward some existing problems as a reference. The text is divided into four parts: the first part is the definition of film works. This paper attempts to identify film works accurately from three aspects: the definition of film works, the attributes of films, and the elements of film works. The attribute of film works is the basis of this paper. In the later discussion, the attribute of film works is used to prove other problems. The second and third parts introduce the relationship between the film works and the original works, and the relationship between the producers and the authors of other works. This paper mainly analyzes several legislative examples and the relationship between the film works and the original works in the copyright law of our country. The fourth part, mainly discusses the copyright ownership of film works. This paper discusses the philosophical value basis of intellectual property law, compares the regulations on the copyright attribution of film works in several major countries, and focuses on the copyright attribution of film works in China.
【学位授予单位】：中国社会科学院研究生院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：D923.41

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