明清话本小说的序跋研究

发布时间：2018-05-07 09:44

本文选题：话本小说 + 序跋　；参考：《宁夏大学》2017年硕士论文

【摘要】：现存明清话本小说序跋近80篇。这些序跋不仅具有十分重要的文献价值、社会史料价值,而且作为小说批评的传统理论形式之一,也具有较高的文学理论价值。同时,由于序跋作者大多具有较高的文学素养,其中也不乏优秀的文章,因而还具有一定的文学审美价值。从散文文体角度来看,明清话本小说序跋打破常规,兼容并蓄,呈现出诸体兼备的多样化特征。其写法自然灵活,不拘一格:或借鉴八股写法而体现出八股化的结构特点;或语兼对偶、使事用典,而具有骈体化特色;或采用主客问答、韵散结合的形式而兼具赋体化特征;甚或言哲理、抒性情、记游踪,而颇具小品文的风格。这种多样化的文体特色,既体现出明清话本小说家的创新求变意识,也反映出明清序跋文与其它散文文体之间的互动影响关系。作为一种供大众消费娱乐的文化产品,明清话本小说还具有商品的属性。小说家创作话本为了谋生,书坊主出版小说意在牟利,因此,话本小说就必然要与市场发生联系,而序跋就是话本小说市场宣传的重要媒介。序跋作者对图书产品的分析介绍,既有对小说的内容和艺术性等核心层面的推介,也有对小说版本、出版情况等形式层面的说明介绍。序跋作者既通过规避政治风险、分析竞品来审视宏观环境,也通过定位读者群、把握读者阅读趣味、预设读者阅读效果等角度来探查话本小说销售的微观环境,从而制定出有效的营销方式,如借名人、名作来提升知名度的“借势营销”、激发读者的共情和同情的“情感营销”、通过识语进行的“广告营销”等。这些营销方式有力地促进话本小说的销售。作为小说评点的主要形式之一,序跋中蕴含着丰富的小说理论。明清话本小说序跋中涉及了小说观、小说史观和小说美学等方面的小说理论,其中对小说本体的认识、小说短篇意识的萌芽,对“小说”这一文体发生与嬗变的梳理,对“奇”与“常”,“实”与“虚”等命题的探讨等,都对中国古代小说理论的成熟与完善作出了重要贡献。
[Abstract]:There are nearly 80 prefaces and postscripts to the novels of Ming and Qing dynasties. These prefaces and postscript not only have very important literature value, social historical data value, but also as one of the traditional theoretical forms of novel criticism, also have higher literary theoretical value. At the same time, most of the preface and postscript writers have higher literary literacy, and there are also some excellent articles, so they also have a certain literary aesthetic value. From the perspective of prose style, the preface and postscript of the novels in Ming and Qing dynasties broke the convention and were inclusive, showing the diversified characteristics of various styles. Its writing method is naturally flexible, not restricted to one style: or draw lessons from stereotyped writing and reflect the structural characteristics of stereotyped; or language and dual, so that things with the parallelization characteristics, or the use of subjective and objective questions and answers, the combination of rhyme and scattered form and have the characteristics of style; Or even philosophical, express temperament, remember the trace, and quite the style of prose. This diverse stylistic feature not only reflects the consciousness of innovation and change of the novelists in the Ming and Qing dynasties, but also reflects the interaction between the preface and postscript of the Ming and Qing dynasties and other prose styles. As a cultural product for mass consumption and entertainment, the Ming and Qing novels also have the property of commodities. In order to make a living, novelists publish novels for profit, so the novels must be connected with the market, and the preface and postscript are the important media for the marketing propaganda of the novels. The preface and postscript author's analysis and introduction to the book products not only introduce the content and artistry of the novel but also explain the form of the novel's edition and publication. The preface and postscript not only examine the macro environment by avoiding the political risk and analyzing the competition, but also probe into the micro environment of the novel sales from the angle of locating the readers, grasping the reader's reading interest and presupposing the reader's reading effect. Thus, effective marketing methods are formulated, such as "seize the opportunity" to promote popularity by means of celebrities and masterpieces, "emotional marketing" which inspires readers' empathy and sympathy, and "advertising marketing" through cognitive language, and so on. These marketing methods have the power to promote the sale of the novel. As one of the main forms of novel review, preface and postscript contain abundant novel theory. The preface and postscript of the novels of Ming and Qing dynasties involve novel theory, such as novel view, novel history view and novel aesthetics. Among them, the understanding of novel ontology, the sprout of short novel consciousness, and the arrangement and evolution of the style of "novel". The discussion of such propositions as "marvellous" and "Chang", "reality" and "vacuity" has made important contributions to the maturity and perfection of the theory of ancient Chinese novels.
【学位授予单位】：宁夏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41

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