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微媒体时代“文化中间人”的角色嬗变

发布时间:2018-11-11 16:52
【摘要】:正微媒体以其独有的媒介特质影响了文化产业从业者的职能分工。其中,"文化中间人"角色嬗变最为明显,构成微媒体时代一大文化特色。基于媒体变革的"文化中间人"角色嬗变历程(一)传统媒体时代"文化中间人"角色特质"文化中间人"一词源起于法国哲学家布尔迪厄的描述,"他们的职业多与呈现和再现有关(销售、营销、广告、公共关系、时尚、装饰等),并且身处提供符号物品及服务的系统之内"。1美国文化产业学者赫斯蒙德夫将其定义为"斡旋于生产者和消费者之间"2的人。在传统媒体时代,"文化中间人"充当着
[Abstract]:Due to its unique media characteristics, positive micro media has influenced the division of functions of cultural industry practitioners. Among them, the role of "cultural middleman" is the most obvious, forming a major cultural characteristics in the micro-media era. The Evolution of the role of "Cultural intermediary" based on the Media Reform (1) in the traditional media era, the term "cultural intermediary" originated from the description of the French philosopher Bourdieu. "their careers are related to presentation and reproduction (sales, marketing, advertising, public relations, fashion, decoration, etc.) "and within the system of providing symbolic goods and services.". [1] Hess Mondev, an American cultural industrialist, defined it as "mediating between producers and consumers." In the era of traditional media, "cultural middleman" acts as
【作者单位】: 广西财经学院文化传播学院;
【分类号】:G206

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