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少数民族审美与当代艺术审美的建构——以云南彝族撒尼支系大糯黑村为例

发布时间:2018-12-16 05:12
【摘要】:云南彝族撒尼支系聚居的大糯黑村因画家带动成为了圭山采风村,传统民族审美与现代审美交相并建构了新的村落审美知识,表现出审美场域由大糯黑村转向圭山采风村,审美主体由村民变成当代画家,艺术品由村内创作转成画廊展示的变化。因审美特性符合村民与画家的各自之需,大糯黑村的民族与当代艺术审美形成了共存互建的状态。总观当前少数民族村落审美的发展现状,大糯黑村是值得深入探讨的一例个案。
[Abstract]:The village of Danuo Black, which is inhabited by the Sani branch of the Yi nationality in Yunnan Province, has become the mining wind village of Guishan because of the painters. The traditional national aesthetics intersects with the modern aesthetics and constructs a new aesthetic knowledge of the villages, which shows that the aesthetic field has changed from Danuo black village to Guishan mining wind village. The aesthetic subject changes from villager to contemporary painter and art works from village creation to gallery display. Because the aesthetic characteristics meet the respective needs of the villagers and painters, the national and contemporary art aesthetics of Danuo Black Village form a state of coexistence and mutual construction. In a general view of the present situation of the aesthetic development of minority villages, Danuo Black Village is a case worthy of further discussion.
【作者单位】: 云南大学文学院;云南师范大学艺术传媒学院;
【基金】:2015年云南大学管乔中中文创新奖学金调查研究基金一般项目“村落审美知识的分析、建构与反思——当代画家与圭山采风村的艺术人类学研究”的阶段性成果
【分类号】:C912.4

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1 吴桂琴;“阿诗玛”与撒尼文化—石林小圭山村山鹰文艺队文化再现的视觉人类学分析[D];云南大学;2012年



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