舞台艺术中武术表演形式研究

发布时间：2018-06-03 05:29

本文选题：舞台艺术 + 武术表演　；参考：《上海体育学院》2017年硕士论文

【摘要】：随着人类文明的进步和中国经济的快速发展,人们的精神需求和审美观得到了极大提升。传统的武术表演形式越来越受到发展限制,而舞台武术表演是一种新型的武术表演,它与传统的武术表演存在一定的不同,但也不是影视武术表演。在国家大力宣传发扬中华民族优秀文化、发挥软实力的号召下,舞台武术表演通过以中华武术为核心内容,舞台艺术为辅助手段,借助科技手段、舞台美术、服装、音乐等设施向人们展示中国的经济、政治、文化、科技、体育、艺术水平。正是因为舞台武术表演所包含的武术文化和内涵丰富,其所产生的武术作品能够代表中国的武术以及目前武术表演所面临的发展问题,本文选择舞台武术表演形式作为研究对象,旨在分析舞台武术表演的形式,为构建舞台武术表演理论基础做准备。本文运用文献资料法、个案分析法、观察法、归纳法、访谈法五种方法,首先,根据现有的武术舞台艺术的实践现状将其分为“武术舞台剧”、“武术情景剧”、“武术表演”三种形式,并给予每种形式定义、特征的分析。1.武术舞台剧是指在文学剧本的基础上以戏剧表演为主要形式,以中国武术为主要内容进行的武术表演形式,其核心要素是(文学)剧本、武术题材、语言表达、动作演员、武打场景。2.武术情景剧是指在舞台表演中围绕故事情景展开一定情景表演,同时将中国武术内容融入其中的武术表演形式,其核心要素是(故事情节)剧本、武术题材、动作演员、武打场景。3.武术表演是演员(运动员)以拳种和流派进行单练、对练、集体演练的出场模式在舞台上进行武术动作技能展示的表演,其核心要素是武术运动员、表演内容、表演空间。其次,针对三种舞台武术表演形式,分析彼此之间的不同点和共同点。第一,语言表达是三者的最根本区别,即武术舞台剧是话剧形式的语言表达;武术情景剧的语言是旁白或独白形式的语言表达,武术表演不包含语言表达。第二,武术表演创编的参考依据即是否有严格的完整故事剧本。第三,演员是否为经过表演系统训练的专业演员。三者的共同点在于都由动作演员、舞美设计、武打场景等要素共同保证整个表演的顺利进行。最后,根据舞台艺术发展规律,建议未来舞台武术表演形式应从三方面加以完善:1.将情景剧从武术题材、动作演员、武打场景、(故事情节)剧本四方面进一步完善。2.武术舞台剧可向话剧方向发展,从而产生武术舞台艺术的话剧形态。武术表演可向杂技或者哑剧方向发展,从而产生武术舞台艺术的杂技或者哑剧的形态。3.可探索武术舞台艺术的歌剧、音乐剧等形态。
[Abstract]:With the progress of human civilization and the rapid development of Chinese economy, people's spiritual needs and aesthetic views have been greatly improved. The traditional form of Wushu performance is more and more restricted, and the stage martial arts performance is a new kind of martial arts performance, which is different from the traditional martial arts performance, but it is also not a film and television performance. On the call of the state to publicize the excellent culture of the Chinese nation and give full play to the soft power, the stage martial arts show the Chinese economy, politics, culture, science, technology, sports and art by using Chinese martial arts as the core content, stage art as an auxiliary means, and by means of scientific and technological means, stage art, clothing, music and other facilities. The martial arts culture and connotation of the stage Wushu show are rich in culture and connotation. The martial arts produced by it can represent the Chinese Wushu and the development problems facing the present martial arts performance. This paper chooses the stage martial arts performance as the research object, aims to analyze the form of the stage martial arts performance and to build the theoretical basis of the stage martial arts performance. This article uses five methods of literature, case analysis, observation, induction and interview. First, according to the existing practice of Wushu stage art, it is divided into "martial arts stage drama", "Wushu sitcom", "Wushu Performance", and gives each form of definition, characteristic analysis of the.1. martial arts stage play. It refers to the form of martial arts performing in the main form of dramatic performance on the basis of literary plays, with Chinese martial arts as the main content. Its core elements are (Literature) plays, martial arts, language expression, action actors, and martial scene.2. martial arts sitcom, which refers to a certain scene performance around the story scene in the stage performance, at the same time The core elements of the Chinese martial arts are the play of the martial arts, the martial arts, the action actors, the martial scenes of the martial arts, the.3. martial arts performance is the actor (athlete) performing the single practice with the fist and school, the practice, the collective exercise pattern on the stage, and the core elements of the martial arts. It is the martial arts athletes, performance content, performance space. Secondly, in view of the three stage Wushu performance forms, analyze the differences and common points between each other. First, the language expression is the most fundamental difference between the three, that is, the martial arts stage plays are the language expression of the form of the drama; the language of the martial art sitcom is the language expression of the form of the narration or monologue, and the martial arts Performance does not contain language expression. Second, the reference basis for the creation of martial arts is whether there is a strict complete story script. Third, whether the actor is a professional actor trained by the performance system. The common point of the three is that all the elements of the actor, the dance beauty design, the martial arts scenes and so on together guarantee the smooth progress of the whole performance. Finally, the root According to the development law of stage art, it is suggested that the future stage martial arts performance form should be perfected from three aspects: 1. to further improve the development of.2. drama from the martial arts theme, action actor, martial scene, and (plot) script (story plot), which can be further developed in the direction of the drama, from which the stage art of Wushu can be produced. Acrobatics or mime develops in order to produce martial arts stage acrobatics or pantomime..3. can explore opera, musicals and other forms of Wushu stage art.
【学位授予单位】：上海体育学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G852

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