影像中的民族形象符号变迁研究——中国奥林匹克运动的影像记忆

发布时间：2018-08-05 16:30

【摘要】：近代中国,国外列强的入侵,外来鸦片的毒害,使"东亚病夫"成为中华民族积弱屈辱的形象标志。奥运赛场上"零"的记录,一直是中华民族难以释怀的耻辱。为此,时任南开大学校长的张伯苓先生提出中国奥林匹克的"三大梦想",为中国奥林匹克运动设计了清晰可见的奋斗目标。在追逐奥林匹克梦想的征途中,中华民族历经曲折,为实现中华民族伟大复兴书写了光辉灿烂的篇章。在中华民族奥运圆梦的历程中,曾出现一批中国奥林匹克题材的电影和纪录片,这些影像记录了中国的奥运历史记忆,承载着中华民族践行奥林匹克精神的影像记忆与文化符号。从这些影像中,我们可以找到中国奥运历史记忆与民族形象变迁的符号特征,及中国奥运影像对民族形象集体记忆建构的意义,从而全面解读中国奥林匹克记忆中民族精神与体育精神的影像表达方式。
[Abstract]:In modern China, the invasion of foreign powers and the poison of foreign opium made the sick husband of East Asia a symbol of the weak humiliation of the Chinese nation. The "zero" record in the Olympic arena has always been a disgrace to the Chinese nation. To this end, Mr. Zhang Boling, then president of Nankai University, proposed the "three Great Dreams" of the Chinese Olympic Games, and designed clearly visible goals for the Chinese Olympic Movement. In the pursuit of the Olympic dream, the Chinese nation has experienced twists and turns and written a splendid chapter for realizing the great rejuvenation of the Chinese nation. In the course of fulfilling the dream of the Olympic Games of the Chinese nation, there have been a number of films and documentaries on the theme of the Chinese Olympic Games, which record the historical memory of the Olympic Games in China. Carrying out the Olympic spirit of the Chinese nation image memory and cultural symbols. From these images, we can find the symbolic characteristics of the historical memory and the changes of the national image of China's Olympic Games, as well as the significance of the image of China's Olympic Games to the construction of the collective memory of the national image. In order to fully interpret the Chinese Olympic memory of the national spirit and sports spirit image expression.
【作者单位】：华中师范大学国家文化产业研究中心;
【分类号】：G812

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