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伊东丰雄建筑作品的弱意象性解读

发布时间:2018-04-13 21:52

  本文选题:伊东丰雄 + 弱意象性 ; 参考:《哈尔滨工业大学》2015年硕士论文


【摘要】:在人类建筑的发展历程中,新与旧的更替是非常频繁的。旧是人们对新的熟知,新是人们对旧的反叛;旧是人们对某种图像熟知后的一种强烈意象,而新则是人们不熟知而表现出的一种微弱意象。在社会转型过程中,新与旧的更替会、强弱的转换会更加的剧烈,二者之间的反差会更加鲜明。任何一位负责任的建筑师,都在对旧的反叛中为时代创新,摒弃强意象,创造弱意象,在时代的大潮中,自觉地引领建筑向前发展。伊东丰雄正是这样一位建筑师,他创作了一系列将概念创新与精美建造相结合的建筑,始终带有浪漫的诗人气质。在他从业近40年后,终于获得了2013年度的普利策建筑奖。伊东丰雄的作品充满了弱意象性,创新度非常高。通过文献整理、实例列举及学科交叉等研究方法,以伊东丰雄建筑作品的弱意象性作为切入点解读其作品的创新性,剖析其建筑理念,能够获得其作品的深刻含义。建筑师对空间和场所的讨论从未停歇,伊东丰雄的建筑作品的空间具有含混、无界等显著特点,空间层面具有弱意象性。论文首先从空间精神、空间边界、空间要素三个角度进行解读。他的建筑空间具有明显的个人特色,同时引领了日本的时代风格。他的建筑作品具有“无形化”的空间精神特点,他采用“自我性”、“瞬时性”、“浮游感”等精神属性来体现建筑的弱意象性;他在空间边界的表达上趋于“无界化”,从而获得暧昧、含混的建筑功能分区,赋予空间更多可能性;他在空间要素的表达上具有“多义化”的特征,从光影、都市、网络等不同角度来分析构成其建筑空间的要素,从而体现其空间弱意象性。建筑的形体是最具有强烈表现性的建筑要素,好的建筑形体能给使用者愉悦身心的感官享受。伊东丰雄建筑作品经常给人以强烈的视觉冲击感,形式创新而富有活力。论文从建筑形体的弱意象性进行剖析,从其建筑作品的物质性角度切入,从建筑结构、建筑形体、建筑表皮和建筑细部的弱意象性进行解读。在建筑结构方面,伊东探求结构和形体的独特结合,提倡结构的“非普适性”,提升建筑的艺术价值和技术价值;在建筑的形体方面多采用非线性、多维灵动的形体和建筑元素的一体化手法来表达建筑的“不确定性”;在建筑表皮方面体现了“透层建筑”的特点,造成室内室外的暧昧关系;在细节表现方面,伊东尝试采用广谱性的细部处理,精致而富有多重创意,无论是从材质的类型表达或者是细部精致多元的处理方式,抑或色彩的选择,都呈现了丰富多样的弱意象性。每个具有时代性的建筑都可以被看作体现了时代精神的艺术品,建筑也能够体现符合时代精神的审美价值。伊东丰雄力求建筑的流畅,而不受制于现代建筑的局限。他致力于打破现代主义建筑的审美秩序,从中剥离,建立新的美学观点。同时,他的建筑作品同样隐晦地带有日本建筑的民族性,用建筑的暧昧、光影来陈述日本文化和建筑美学。另一方面,伊东的建筑在不断创新和探索的同时努力寻回建筑的本真,回到建筑的原初点,力求用建筑来回归自然,承担社会责任。他的建筑作品经常能够给使用者带来欢乐,轻盈和幸福之感,同时兼备自身风格和普适性,指引时代建筑的发展方向。总体看来,伊东的作品从空间、形体和审美各个角度和方面均体现了建筑的弱意象性。论文借助对伊东作品的弱意象性的解析,把握其建筑作品的设计理念和设计手法,分析其作品案例。并以此为契机,唤起对中国建筑未来流向的深度思考。
[Abstract]:In the course of development of human construction, new and old change is very frequent. The old people is the new new people to know, is the old old people to rebel; is a strong image of a familiar image after the new image is a kind of weak people is not familiar with the show. In the process of social transformation, the new and old change, the strength of the conversion will be more intense, the contrast between the two will be more distinctive. No responsible architect, in the old age of rebellion for innovation, abandon the strong image, create a weak image, in the era of the big tide. Consciously leading building forward. Ito Toyo is such an architect, he created a series of concept innovation and exquisite construction combined with the construction, always have a romantic poet. In his business for nearly 40 years, finally won the 2013 Pulitzer prize for architecture ITO. Toyo's works are full of weak image, a very high degree of innovation. Through literature, examples and interdisciplinary research methods, the weak image of Ito Toyo architectural works as an innovative interpretation of the works the breakthrough point, analyzes its architectural concept, can obtain the profound meaning of the works. The discussion on space architect place and never stop, Ito Toyo works with a vague space, unbounded features space with weak image. Firstly, from the space spirit, space boundary, interpret three aspects of spatial elements. His architectural space has obvious personal characteristics, and lead the Japanese style of the times. His buildings works with the "spirit of the characteristics of intangible space", he adopted the "self", "instantaneous", "in the sense of" mental attributes to reflect the weak image of the building; he in space Boundary expression tends to be "unbounded", so as to obtain the ambiguous architectural functions of vague, giving more space in the space elements of the possibility; he has expressed "polysemy" features, from the light, city, different angles to analyze the network elements of the architectural space, which reflects the weak space the image of the building. The body has the most strong performance of building elements, good architectural form can give users pleasant sensual enjoyment. Ito Toyo's works often give people a strong sense of visual impact, innovative forms and rich vitality. The paper is analyzed from the weak image of the architectural form, starting from the building the work material from the angle of architectural structure, architectural form, interpretation of weak image building skin and architectural details. In the aspect of structure, explore the structure and form a unique combination of ITO, advocate node The "non universal", enhance the artistic and technical value of the building; in the construction of the physical aspects of the nonlinear integration technique, multidimensional smart form and architectural elements of the building to express the "uncertainty"; in the building facade embodies the characteristics of "transparent layer architecture", the ambiguous relationship caused by indoor outside; performance in detail, ITO try to use details of broad-spectrum, delicate and rich multi ideas, whether it is material from the type of expression or approach is exquisite detail diverse, or color choices, presents a weak image diversity. Each has the times of the building can be seen embodies the spirit of the times of art, architecture can also reflect the aesthetic value with the spirit of the times. Ito Toyo tries to smooth the building, not subject to the limitations of modern architecture. He devoted himself to play Breaking the modernist architectural aesthetic order, stripped, set up new aesthetic point of view. At the same time, his works also have Japanese nationality veiled zone building, building the ambiguous light to statements of Japanese culture and architectural aesthetics. On the other hand, our construction efforts in unceasing innovation and exploration and recovery the building of the truth, to return to the original point of the construction, and strive to use buildings to return to nature and social responsibility. His works are often able to bring joy, light and happiness, also have their own style and universality, era building development direction. Overall, our works from space, form and the various aesthetic angles and aspects are reflected in the weak image building. With the analysis of the weak image of ITO works, design ideas and design methods to grasp the construction work, analysis of the works This is an opportunity to arouse the deep thinking about the future direction of Chinese architecture.

【学位授予单位】:哈尔滨工业大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:TU-86

【参考文献】

相关期刊论文 前6条

1 ;冥想之森:岐阜县市政殡仪馆[J];建筑创作;2014年01期

2 伊东丰雄;塞西尔·贝尔蒙德;;蛇形画廊2002[J];建筑创作;2014年01期

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