基于音乐美学的建筑生成系统

发布时间：2018-05-18 10:41

本文选题：音乐美学 + 建筑生成　；参考：《清华大学》2015年硕士论文

【摘要】：“建筑是凝固的音乐”,这句比喻被广泛地运用于探讨建筑和音乐相关性的理论研究和实践之中。音乐是时间维度的听觉艺术,建筑则是空间维度的视觉艺术。看似门类不同,但二者都具有极强的感染力和高度的抽象性。源于同一时期相同的时空观念和人类的通感思维,音乐体现着变化的空间,建筑有着音乐的节奏韵律。二者相互应和,十分美妙。目前不乏基于这一独特现象进行的建筑实践,试图从音乐中获取建筑创作灵感。然而由于对建筑和音乐分析及认识的片面性以及操作手段的局限,转化得到的建筑成果多难以反映本体音乐的特点,内容流失较大。本文希望以历史的角度及音乐美学的角度对音乐和建筑的形态相通性进行分析。基于当前信息社会与数字化的背景,提出“图解”作为连接音乐与建筑的桥梁。通过“图解”解释音乐、生成建筑。本文将以纵向、横向、特例三种维度进行研究:1.纵向梳理并对比不同历史时期音乐与建筑的美学特点。通过分析其现象背后的社会文化背景和哲学等驱动力,归纳音乐和建筑的互动历程,指出同一时期时间观念与空间观念的互通性特点。2.横向比较音乐与建筑二者的美学。辨析时空与尺度模数的作用,从音乐元素与手法出发进行形态解析并建立二元共通关系。这是建筑生成的理论基础。3.选取巴洛克时期作曲家巴赫的《音乐的奉献》、印象派作曲家德彪西《月光》以及中国传统古琴曲《流水》,以图解的手段分别从音乐操作、氛围渲染及音响效果三个角度进行分析,并尝试数字化建筑生成。本文希望能够以音乐的视角重新审视建筑及建筑创作,将音乐的专业思维带入建筑之中,在加深对建筑理解的同时探讨从音乐中获得启发进行建筑创作的方法,强化并实现音乐与建筑的联系。
[Abstract]:"Architecture is solidified music", which is widely used in the theoretical research and practice of the relationship between architecture and music. Music is the auditory art of time dimension, while architecture is the visual art of space dimension. It seems that the categories are different, but both of them have strong appeal and a high degree of abstraction. Originated from the same time and space concept and human synesthesia, music reflects the changing space, and architecture has the rhythm of music. It is wonderful that the two should be reconciled with each other. At present, there are many architectural practices based on this unique phenomenon, trying to get architectural inspiration from music. However, due to the one-sidedness of the analysis and understanding of architecture and music and the limitation of the means of operation, it is difficult to reflect the characteristics of the Noumenon music and the content is lost greatly. This article hopes to analyze the similarities between music and architecture from the angle of history and music aesthetics. Based on the background of current information society and digitization, this paper puts forward "diagram" as a bridge between music and architecture. The music is explained by "diagram", and the architecture is generated. This paper will study the three dimensions of vertical, horizontal and special cases. Combing and comparing the aesthetic characteristics of music and architecture in different historical periods. By analyzing the social and cultural background, philosophy and other driving forces behind the phenomenon, this paper sums up the interactive course of music and architecture, and points out the interworking characteristics of the concept of time and space in the same period. A horizontal comparison of the aesthetics of music and architecture. This paper analyzes the function of space-time and scale modulus, analyzes the form of music elements and techniques, and establishes the dualistic common relationship. This is the theoretical basis of architectural generation. Selected from the Baroque period composer Bach's "Music dedication", the Impressionist composer Debussy "Moonlight" and the Chinese traditional piano music "flowing water", respectively, by graphic means from the music operation, Atmosphere rendering and sound effects are analyzed from three angles, and digital building generation is attempted. This paper hopes to re-examine architecture and architectural creation from the perspective of music, bring the professional thinking of music into architecture, and explore the methods of architectural creation inspired by music while deepening the understanding of architecture. Strengthen and realize the connection between music and architecture.
【学位授予单位】：清华大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU201

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