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“青琐”及“青琐窗”的建筑史解析——从汉画像石纹饰说起

发布时间:2018-09-09 13:43
【摘要】:汉画像石中有一种被称为"十字穿璧"的图案,以十字线条在圆环内交叉穿过为特征,艺术史学者多在墓葬美术研究的语境下将其解读为"升仙"。而在建筑史的视角下,检索汉代建筑历史文献并与画像石对照,可发现此纹即古之"琐"纹。汉代天子居所之门被称为"青琐门",便是由于门框刻镂此纹并涂青。以后南北朝时期的诗词歌赋中出现"青琐窗"一词并在文学中被广泛使用,其特征与"青琐"纹样无关,而在双层门窗格对合之做法样式。对"青琐"历史的追溯揭示出中国建筑、美术、文学等领域中古词汇的"同名异意"现象。
[Abstract]:In the Han Dynasty, there is a pattern called "cross and cross", which is characterized by cross line crossing through the circle, and art historians interpret it as "ascending fairy" in the context of the study of tomb art. From the perspective of architectural history, the architectural historical documents of Han Dynasty were searched and compared with the stone relief, and it was found that this pattern was the ancient "trivial" pattern. The gate of the emperor's residence in the Han Dynasty was called the "Qingzao Gate" because of the engraving and painting of the door frame. After the Southern and Northern dynasties, the word "Qingzao window" appeared in poetry and prose of the Southern and Northern dynasties and was widely used in literature. Its characteristics had nothing to do with the pattern of "Qingzao", but the double door and window pattern. Tracing back to the history of "Qingzao" reveals the phenomenon of "different meanings of the same name" in Chinese ancient words in the fields of architecture, art, literature and so on.
【作者单位】: 上海交通大学历史系;
【分类号】:TU-092


本文编号:2232551

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