克孜尔石窟壁画题材研究

发布时间：2018-01-01 05:14

本文关键词：克孜尔石窟壁画题材研究　出处：《南京艺术学院》2013年博士论文　论文类型：学位论文

【摘要】：克孜尔石窟壁画在开凿时间、地理位置、洞窟类型、建筑风格等均有着突出的学术研究价值，而对其研究的方向和路径也有多种可能。通过考察我们发现，克孜尔壁画中的题材问题，或可成为相关研究的理论支点，故而本文选择了克孜尔壁画的题材作为研究对象，旨在通过系统研究，揭示壁画题材及其背后的学术意义。克孜尔石窟壁画的题材对壁画分期的研究具有基础性意义。本论文结合相关的考古报告与实地考察，客观、公正地对待前人的研究结论，对各家的分期之说作了再检讨，找出分期和年代学问题之所在，通过研究建立克孜尔石窟壁画题材的分期方法体系和克孜尔石窟壁画题材的历史流变及其规律，为石窟壁画题材研究奠定分期基础，并力求为找出分期与题材问题的内在关联。克孜尔石窟壁画的题材主要为佛传图像与本生图像。佛传图像以不同形态的窟型为单位，力求发掘克孜尔石窟所独有的图像资料，考虑图像内涵，总结图像内涵背后的文化特征。期望不仅能系统阐述佛传图像与窟型的关系问题，还能对题材与特定时期龟兹地区佛教教派的变迁问题作深入考察。本生图像的研究，企图通过深入解读相关佛经典籍，将本生故事图像与佛经进行对比，以揭示克孜尔石窟本生故事的独特性图像内容。既然石窟壁画作为宗教附属产物，，其本身存在价值是为了弘扬佛法，所以其在被创作的过程中势必会有一个可以依据的规则。在观照相关佛经经典、本生故事与图画的对应关系的基础上，试图将克孜尔石窟本生故事壁画图像题材的独特性深入挖掘出来。这种独特性既是克孜尔石窟壁画有别于其他地区的个性特征，也为龟兹地区佛教与政治文化发展的别样印证。克孜尔石窟壁画题材，还架构起相近区域之间石窟艺术的关联性，印证了龟兹作为佛教传播重要驿站的足迹。印度佛教通过丝绸之路传播到中国所经过的地域并且带来了关联区域的影响，印度风格、伊朗风格、犍陀罗风格等都对克孜尔石窟产生过影响。并且，克孜尔石窟由于地域及政治文化特征，对其他石窟也曾起到过很深的影响作用。
[Abstract]:In the Kizil Grottoes cut time, geographical location, cave type, architectural style has outstanding academic value, and the direction and path of the research there are a variety of possible. Through the investigation we found that the theme of the problem in the Kizil grotto, or it can be a theoretical fulcrum in related research, this thesis chose the the mural theme as the research object, aims to study, reveal the fresco and the academic significance.
The theme of Kizil Grottoes is of fundamental significance of mural stages research. This paper combined with the relevant archaeological report and on-the-spot investigation, objective, research conclusion of justice to the former, on the stage of a review, find out where the problem of staging and chronology, history of establishment of Kizil Grottoes by studying the subject the staging system and the Kizil cave theme and its law, lay the foundation for the staging of grotto murals on the themes of, and strive to find out the inherent relation with the theme of staging.
The main theme of Kizil Grottoes Buddha image and the image. The Buddha images in cave type in different forms as units, and strive to explore the unique images of Kizil Grottoes, considering the image connotation, cultural characteristics behind the summary image connotation. Not only can expect the relationship between system explains the Buddha image and cave type also, for in-depth inspection of Qiuci Buddhist sect area theme with specific periods of change. The research of the image, through in-depth interpretation of related to Sutra books, comparing the images and stories of Buddhist scriptures, to reveal the unique image content Kertz grotto jataka stories. Since the grotto murals as a byproduct of religion its value is, in order to promote Buddhism, so in the process of creating is bound to have a basis rule. According to relevant Buddhist classics, jataka stories and drawings Based on the relationship between painting, trying to be unique in Kizil Grottoes Jataka murals image theme dig out. This is not only the unique personality of Kizil Grottoes characteristics different from other regions, but also for the different political and cultural development of Buddhism and the Kucha region is confirmed.
Kizil Grottoes mural themes, the relationship is similar between the regional architecture of grotto art, confirmed as an important stage of Qiuci Buddhism spread footprints. Buddhism in India through the Silk Road spread to China by region and impact zone, India style, Iran style, Gandhara style of Kezier the Grottoes have been affected. And the Kizil Grottoes due to geographical and political culture, on the other grottoes are also played a role very deep.

【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2013
【分类号】：K879.41

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