谈历代漆艺中技与艺的关系

发布时间：2018-01-01 14:06

本文关键词：谈历代漆艺中技与艺的关系　出处：《杭州师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：传统漆工艺,在中国几千年漫长历史上经历了由极盛到衰退,到了20世纪,随着社会历史的重大变化,又逐渐由衰而兴,进入一个全新的历史阶段。自1984年第六届全国美展中把漆画定为独立画种后,中国漆艺开始了真正意义上的复苏发展。而如今作为纯艺术的现代漆艺创作,重观念轻技术或重技术轻艺术现象成为现阶段困扰现代漆艺发展的主要矛盾之一。本文通过对工艺美术中技术与艺术的传统渊源以及在历史发展过程中的演变做深入分析研究,以及国内外一些实例分析来证明现代漆艺中技术与艺术是缺一不可的,并强调两者要均衡发展。在工艺美术中,关于技术与艺术的讨论由来已久,漆工艺做为工艺美术的范畴,最先也是以实用为目的,以中国传统造物哲学为指导思想的,所以在制作过程中始终保持技术与艺术的高度统一性,直到19世纪初,受工业革命的影响,手工业产品被大工业化机械产品所替代,破坏了这两者之间的统一性,导致漆艺逐渐淡出人们的视线,20世纪初,受东南亚各国的影响,以及一些艺术大师的介入,给传统漆艺注入了全新的艺术观念,于是现代漆艺就应运而生了,漆画也随之做为独立画种登上高雅的艺术殿堂与国画、油画等并驾齐驱。而现阶段,部分年轻的艺术家们认为观念是现代漆艺追求的唯一目的,他们要的是想象和创新，而不屑于谈论“技术”,从而忽视了对技术的探索,还有部分艺术家们又过份沉醉于玩弄传统技法,从而走入奇技淫巧的误区,使作品失去了思想性成了平庸之作。本文也根据作者本人这两年从事漆艺创作的经历,试着谈论一下在漆艺中技术与艺术的特殊关系,以及现阶段的漆艺创作还需不需要过硬的技术问题,最后总结说明只有将传统技术与现代艺术观念相结合才能使中国传统漆艺得到更大的发展。
[Abstract]:Traditional lacquer technology has experienced from peak to recession in the long history of several thousand years in China. In 20th century, with the great changes of social history, it gradually developed from decline to decline. Entered a new historical stage. Since 1984, the 6th National Art Exhibition as an independent painting. Chinese lacquer art began to develop in the real sense. But now as a pure art of modern lacquer art creation. The phenomenon of attaching importance to idea and technology or technology to art has become one of the main contradictions that puzzles the development of modern lacquer art at present. This paper makes an analysis of the traditional origin of technology and art in arts and crafts and its evolution in the course of historical development. Deep analysis. And some examples at home and abroad to prove that the modern lacquer art and technology are indispensable, and emphasize the balanced development of both. In the arts and crafts, the discussion on technology and art has a long history, lacquer as a category of arts and crafts, the first is to practical purposes, with Chinese traditional philosophy of creation as the guiding ideology. So in the process of production, always maintain the high unity of technology and art, until the beginning of 19th century, under the influence of the industrial revolution, handicraft products were replaced by large-scale industrial mechanical products. Destroyed the unity between the two, leading to the lacquer art gradually fade out of the sight of the early 20th century, by the influence of Southeast Asian countries, as well as the involvement of some masters of art. To the traditional lacquer art into a new concept of art, so the modern lacquer art came into being, lacquer painting also as an independent painting on the elegant art palace and traditional painting, oil painting, and so on. And at this stage. Some young artists think that concept is the only purpose of modern lacquer art, they want to imagine and innovate, and not to talk about "technology", thus ignoring the exploration of technology. There are also some artists too intoxicated in playing with traditional techniques, thus walking into the myth of whimsical techniques. This paper also tries to talk about the special relationship between technology and art in lacquer art according to the author's experience in lacquer creation in the past two years. And the lacquer art creation at the present stage still need the perfect technical question, finally summarizes the explanation only by combining the traditional technology and the modern art idea can make the Chinese traditional lacquer art obtain the bigger development.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

【共引文献】