须弥山石窟与藏传佛教造像

发布时间：2018-03-03 10:12

本文选题：须弥山石窟　切入点：藏传佛教影响　出处：《甘肃社会科学》2013年01期 　论文类型：期刊论文

【摘要】：须弥山石窟为全国十大石窟之一,1982年列为全国重点文物保护单位。须弥山石窟研究,已有不少成果问世,但没有涉及有无藏传佛教造像的问题。须弥山石窟有藏传佛教造像和藏传佛教壁画遗存,一是第46窟的藏传佛教佛造像(在北周佛造像基础上的改凿),一是第48窟中心柱彩绘藏传佛教壁画造像。须弥山石窟藏传佛教文化有其生成背景:一是西夏藏传佛教的影响,二是忽必烈时期藏传佛教的影响,三是安西王忙哥剌皈依藏传佛教的影响。藏传佛教艺术影响须弥山石窟造像应该在元代,明代初年敕赐须弥山圆光寺碑记载,寺院住持和僧众大多为藏传佛教僧人,说明最晚也是在明代初年。即便是到了明代,藏传佛教造像的文化背景也是在元代奠定的。
[Abstract]:Xumishan Grottoes are one of the ten largest grottoes in the country. In 1982, they were listed as the key cultural relics protection units in the country. However, there is no question of whether there are any Tibetan Buddhist statues. There are Tibetan Buddhist statues and the remains of Tibetan Buddhist murals in the Xuemishan Grottoes. The first is the Tibetan Buddhist Buddha statue in the 46th Grottoes (on the basis of the Buddhist statues of the Northern Zhou Dynasty), the first is the painted Tibetan Buddhist murals on the center column of the 48th Grottoes. The Tibetan Buddhist culture of the Xumishan Grottoes has its background: the first is the influence of Tibetan Buddhism in the Western Xia Dynasty. The second is the influence of Tibetan Buddhism during Hu Bilie's period, and the third is the influence of the conversion of Xumishan Grottoes to Tibetan Buddhism. The influence of Tibetan Buddhist art should be recorded in the Yuan Dynasty, the early Ming Dynasty and the early Ming Dynasty. The abbot and monks were mostly Tibetan Buddhist monks, indicating that the late Ming Dynasty was also the beginning of the Ming Dynasty. Even in the Ming Dynasty, the cultural background of Tibetan Buddhist statues was established in the Yuan Dynasty.
【作者单位】：宁夏社会科学院;
【分类号】：K879.3

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