现代装饰陶艺的肌理运用研究

发布时间：2018-03-16 22:13

本文选题：现代陶艺　切入点：装饰　出处：《苏州大学》2012年硕士论文　论文类型：学位论文

【摘要】：肌理一直以其独特的形态和迷人的美感而激发了陶瓷艺术创作者们无穷的创造力，它丰富多彩和变化和无以言状的形式，不仅给观赏者以强烈的视觉冲击力，也给人们带来了丰富的触觉感受，这一凝结了自然之理的肌理给人们营造了一个可无限想象的空间。这一原本自然呈现的肌理，一旦被艺术家运用到现代装饰陶艺中，便不其然地成为了当代陶艺的表现语言。肌理在现代装饰陶艺中如何制作和生成？又是如何传达创作者的思想情感和审美取向？这一系列的困惑触发了我追根求源的兴趣，本文围绕肌理在现代装饰陶艺中的运用主题，通过对其制作工艺、表现形式及艺术效果进行不断尝试，探讨了肌理生成的规律，并从理论上对其进行归纳和总结，，以期对陶瓷艺术工作者们在今后的作品创作中有所启发。
[Abstract]:Texture has been with its unique form and charming aesthetic sense and inspired the endless creativity of ceramic art creators, it is rich and varied and indescribable forms, not only to the viewer with a strong visual impact, It also brings people a rich sense of tactile feeling, a texture that condenses natural reasoning and creates an infinite space for people to imagine. This natural texture, once applied by artists to modern decorative pottery, However, it has become the expression language of contemporary ceramic art. How to make and generate texture in modern decorative pottery art? And how to convey the creators' thoughts, feelings and aesthetic orientations? This series of puzzles triggered my interest in seeking for roots and sources. This paper focuses on the theme of the use of texture in modern decorative pottery art, and probes into the rules of texture formation through continuous attempts on its production techniques, forms of expression and artistic effects. In order to enlighten the ceramic artists in the future, it is concluded and summarized theoretically.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

【共引文献】