论新疆维吾尔族模制法土陶烧制艺术研究
发布时间：2018-07-23 21:12
【摘要】：士陶的发明,是人类文明发展史上的重要标志,是淳朴的维吾尔族少数民族利用天然物,按照自我的意志,创造出来的土陶工艺制品。吾尔族土陶技艺所在的主要区域为新疆维吾尔自治区的南部的喀什地区和东部的吐鲁番地区,其在不同地域呈现出不同的文化形态特征,由此构成土陶工艺的多样性。它揭开了人类利用自然、改造自然的新篇章。 论文以新疆维吾尔族模制法土陶烧制艺术特征为研究对象,通过去当地进行调研访谈,并收集资料、国内外陶器比较分析对新疆维吾尔族模制法土陶烧制艺术的相关背景、制作工艺等进行了详细的资料整合与归类,并在此基础上,分析相关资料图片与史料记载,对新疆土陶中所蕴含的民族多远文化因子,进行逐层深入的研究与探讨。 本文共分为五个章节进行了阐述,第一章,为绪论,即新疆土陶概述,对新疆土陶的研究背景、现状以及论文研究的基本构思与不足之处做了介绍。第二章,通过对新疆维吾尔族土陶艺术的特殊地理历史背景以及深厚的文化渊源,来探讨其背后发展因素与地理历史文化因素。第三章,对新疆维吾尔族模制法的造型种类与制作工艺流程做了一定的概述。第四章,主要从新疆土陶风格特征、装饰纹样部位以及色彩来概述新疆土陶的风格与装饰特征。第五章,总体进行介绍,中外对比显示出其收藏价值,以及随着时间的流逝,原有的土陶形制已锐减到寥寥几种,珍贵的新疆土陶己处于濒危状态,其技艺的复杂工序与传承的后继无人的尴尬境地来探析新疆维吾尔族土陶技艺及传承与其收藏价值。 通过数月对新疆维吾尔族模制法土陶烧制以及艺术特征的基础性研究,得出结论：新疆土陶艺术的发展并不是独立的个体,它是新疆独特的地理环境与人文历史的产物,并与诸多的自然和社会因素有着密不可分的关联,特别是环境、民族、宗教和其时代等因素对新疆土陶独特的艺术风格特征的形成与发展产生了极大的影响。 同时,本文期望此研究有助于理解新疆维吾尔族模制法土陶烧制艺术,并帮助提升人们对维吾尔族民间传统手工艺文化的认知度,为新疆民间传统手工艺文化体系的研究能尽微薄之力。
[Abstract]:The invention of Shi Tao is an important symbol in the history of human civilization. It is a kind of earthenware made by the simple Uygur ethnic minorities using natural objects and according to their own will. The main regions of Wuer nationality are Kashi area in the south of Xinjiang Uygur Autonomous region and Turpan area in the east of Xinjiang Uygur Autonomous region. It opens a new chapter in the use and transformation of nature. This paper takes the characteristics of Xinjiang Uygur clay pottery as the research object, through the local investigation and interview, and collects the data, the domestic and foreign pottery comparative analysis to Xinjiang Uygur Uygur Uygur mold method soil pottery firing art related background. On the basis of the detailed data integration and classification, this paper analyzes the relevant materials, pictures and historical records, and makes a deep research and discussion on the factors of the ethnic far and far culture contained in Xinjiang earthen pottery. This paper is divided into five chapters, the first chapter is the introduction, that is, the overview of Xinjiang earthen pottery, the research background, the current situation, the basic ideas and deficiencies of the paper are introduced. In the second chapter, through the special geographical historical background and deep cultural origin of Uygur pottery art in Xinjiang, the author discusses the development factors and geographical historical and cultural factors of Uygur pottery art. In the third chapter, the modeling types and manufacturing process of Xinjiang Uygur die-making method are summarized. The fourth chapter summarizes the style and decoration characteristics of Xinjiang earthen pottery from the aspects of style, decorative pattern and color. Chapter V, the overall introduction, the comparison between China and foreign countries shows that the collection value, and with the passage of time, the original earthen pottery system has been sharply reduced to a few, the precious Xinjiang earthen pottery has been in an endangered state. The complicated process and inheritance of Xinjiang Uygur pottery technology and its collection value are analyzed. Through several months' basic research on Xinjiang Uygur model pottery firing and its artistic characteristics, it is concluded that the development of Xinjiang's clay pottery art is not an independent individual, but a product of Xinjiang's unique geographical environment and humanistic history. And it is closely related to many natural and social factors, especially the environment, nationality, religion and its time, which have a great influence on the formation and development of the unique artistic style of Xinjiang earthenware. At the same time, this study is expected to be helpful to understand the Xinjiang Uygur art of clay pottery, and to promote people's awareness of Uygur folk traditional handicraft culture. For the study of Xinjiang folk traditional handicraft culture system can do a meager contribution.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TQ174.1;J527
本文编号：2140666
[Abstract]:The invention of Shi Tao is an important symbol in the history of human civilization. It is a kind of earthenware made by the simple Uygur ethnic minorities using natural objects and according to their own will. The main regions of Wuer nationality are Kashi area in the south of Xinjiang Uygur Autonomous region and Turpan area in the east of Xinjiang Uygur Autonomous region. It opens a new chapter in the use and transformation of nature. This paper takes the characteristics of Xinjiang Uygur clay pottery as the research object, through the local investigation and interview, and collects the data, the domestic and foreign pottery comparative analysis to Xinjiang Uygur Uygur Uygur mold method soil pottery firing art related background. On the basis of the detailed data integration and classification, this paper analyzes the relevant materials, pictures and historical records, and makes a deep research and discussion on the factors of the ethnic far and far culture contained in Xinjiang earthen pottery. This paper is divided into five chapters, the first chapter is the introduction, that is, the overview of Xinjiang earthen pottery, the research background, the current situation, the basic ideas and deficiencies of the paper are introduced. In the second chapter, through the special geographical historical background and deep cultural origin of Uygur pottery art in Xinjiang, the author discusses the development factors and geographical historical and cultural factors of Uygur pottery art. In the third chapter, the modeling types and manufacturing process of Xinjiang Uygur die-making method are summarized. The fourth chapter summarizes the style and decoration characteristics of Xinjiang earthen pottery from the aspects of style, decorative pattern and color. Chapter V, the overall introduction, the comparison between China and foreign countries shows that the collection value, and with the passage of time, the original earthen pottery system has been sharply reduced to a few, the precious Xinjiang earthen pottery has been in an endangered state. The complicated process and inheritance of Xinjiang Uygur pottery technology and its collection value are analyzed. Through several months' basic research on Xinjiang Uygur model pottery firing and its artistic characteristics, it is concluded that the development of Xinjiang's clay pottery art is not an independent individual, but a product of Xinjiang's unique geographical environment and humanistic history. And it is closely related to many natural and social factors, especially the environment, nationality, religion and its time, which have a great influence on the formation and development of the unique artistic style of Xinjiang earthenware. At the same time, this study is expected to be helpful to understand the Xinjiang Uygur art of clay pottery, and to promote people's awareness of Uygur folk traditional handicraft culture. For the study of Xinjiang folk traditional handicraft culture system can do a meager contribution.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TQ174.1;J527
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