明代御窑厂瓷器颜色审美文化研究
发布时间:2019-06-22 19:35
【摘要】:本文的研究是明代典型器物颜色的审美文化研究,是明代器物颜色审美文化研究的一部分。通过明代御窑瓷器颜色审美文化的研究与同时期其他器物的颜色审美文化的比较,深入了解或探究明代的器物文化。分析明代特定历史文化背景下明人对各种颜色的基本态度、好尚状况,并通过研究明代不同时期在不同的历史文化背景下瓷器颜色审美情趣的微观特征,结合当时具体的文化背景推导出御窑瓷器颜色审美文化发展的基本脉络与变动规律,触类旁通,从而对整个明代器物颜色的喜好特征做一个大概的认识和界定。 本文试图以文化发生学的方法,从经济、技术、外贸、礼制、哲学、美学、艺术等角度对明代御窑瓷器,特别是颜色瓷器的发展及其成就做一个较为系统的探讨,对影响明代御窑瓷器颜色文化发展的各种社会文化要素加以区分和认识,厘清不同文化要素的发展脉络、运行机制,以及这种机制如何影响于瓷器颜色的形成和颜色审美文化的变化,从而总结出明代御窑颜色瓷审美文化的形成及发展的大体成因。此外,为了确保研究过程的严谨性和结论的可靠性,本文还应用了断代、考证、统计、归纳等方法,对明代及明代以前的瓷器颜色工艺、颜色品种等进行系统的考证与研究。 由于汉文化极强的传承性,当代中国也有着很多古代的文化特征,古代的器物及颜色可能也是当代人潜意识里所喜好的,因此,对明代瓷器颜色审美文化的研究有利于认识当代中国的器物颜色审美文化状况,研究的成果对现代产品设计中的用色也有积极的指导和借鉴意义。
[Abstract]:The research of this paper is the aesthetic culture study of the typical utensils color in Ming Dynasty, and it is a part of the aesthetic culture research of Ming Dynasty utensils color. Through the study of color aesthetic culture of imperial kiln porcelain in Ming Dynasty and the comparison of color aesthetic culture of other utensils in the same period, the artifact culture of Ming Dynasty was deeply understood or explored. This paper analyzes the basic attitude and good situation of Ming people to various colors under the specific historical and cultural background of Ming Dynasty, and through the study of the microscopic characteristics of porcelain color aesthetic taste in different historical and cultural backgrounds in different periods of Ming Dynasty, combined with the specific cultural background at that time, deduces the basic context and changing law of the development of imperial kiln porcelain color aesthetic culture. In order to make a general understanding and definition of the color preference characteristics of the whole Ming Dynasty utensils. This paper attempts to make a systematic discussion on the development and achievements of imperial kiln porcelain in Ming Dynasty from the angles of economy, technology, foreign trade, etiquette, philosophy, aesthetics and art, and to distinguish and understand the various social and cultural elements that affect the development of color culture of imperial kiln porcelain in Ming Dynasty, and to clarify the development context and operation mechanism of different cultural elements. And how this mechanism affects the formation of porcelain color and the change of color aesthetic culture, so as to summarize the general causes of the formation and development of Ming Dynasty imperial kiln color porcelain aesthetic culture. In addition, in order to ensure the preciseness of the research process and the reliability of the conclusions, this paper also uses dating, textual research, statistics, induction and other methods to systematically verify and study the porcelain color technology and color varieties before the Ming Dynasty. Because of the strong inheritance of Han culture, contemporary China also has many ancient cultural characteristics, ancient utensils and colors may also be subconsciously liked by contemporary people. Therefore, the study of Ming Dynasty porcelain color aesthetic culture is conducive to understanding the contemporary Chinese utensils color aesthetic culture, and the research results also have positive guidance and reference significance for the use of color in modern product design.
【学位授予单位】:江南大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J527
本文编号:2504898
[Abstract]:The research of this paper is the aesthetic culture study of the typical utensils color in Ming Dynasty, and it is a part of the aesthetic culture research of Ming Dynasty utensils color. Through the study of color aesthetic culture of imperial kiln porcelain in Ming Dynasty and the comparison of color aesthetic culture of other utensils in the same period, the artifact culture of Ming Dynasty was deeply understood or explored. This paper analyzes the basic attitude and good situation of Ming people to various colors under the specific historical and cultural background of Ming Dynasty, and through the study of the microscopic characteristics of porcelain color aesthetic taste in different historical and cultural backgrounds in different periods of Ming Dynasty, combined with the specific cultural background at that time, deduces the basic context and changing law of the development of imperial kiln porcelain color aesthetic culture. In order to make a general understanding and definition of the color preference characteristics of the whole Ming Dynasty utensils. This paper attempts to make a systematic discussion on the development and achievements of imperial kiln porcelain in Ming Dynasty from the angles of economy, technology, foreign trade, etiquette, philosophy, aesthetics and art, and to distinguish and understand the various social and cultural elements that affect the development of color culture of imperial kiln porcelain in Ming Dynasty, and to clarify the development context and operation mechanism of different cultural elements. And how this mechanism affects the formation of porcelain color and the change of color aesthetic culture, so as to summarize the general causes of the formation and development of Ming Dynasty imperial kiln color porcelain aesthetic culture. In addition, in order to ensure the preciseness of the research process and the reliability of the conclusions, this paper also uses dating, textual research, statistics, induction and other methods to systematically verify and study the porcelain color technology and color varieties before the Ming Dynasty. Because of the strong inheritance of Han culture, contemporary China also has many ancient cultural characteristics, ancient utensils and colors may also be subconsciously liked by contemporary people. Therefore, the study of Ming Dynasty porcelain color aesthetic culture is conducive to understanding the contemporary Chinese utensils color aesthetic culture, and the research results also have positive guidance and reference significance for the use of color in modern product design.
【学位授予单位】:江南大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J527
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