隋唐时期的胡乐人及其历史贡献

发布时间：2017-12-31 20:12

本文关键词：隋唐时期的胡乐人及其历史贡献　出处：《上海音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：隋唐时期是中国历史上政治、经济、文化最为繁盛的时期,随着丝绸之路的开通,西域各地与中原的交流也愈发频繁。中原与西域各地的文化艺术相互碰撞,互相交融,产生了一次各民族文化的大融合。这样的艺术融合离不开隋唐时期政治、经济的稳定,同样也离不开艺术家的交流与传播。本文主要探讨的是一群来到中原的胡人音乐家,隋唐时期的胡人音乐家是整个乐人体系当中不可或缺的部分,他们的存在关乎着西域音乐东传最真实的情况,他们是胡乐在中原遍地开花最主要的传播者,胡俗乐融合的功臣。本文立于前人研究基础之上对胡乐人展开梳理与调查。试图理清胡乐人来到中原的身份背景、原因、形象、地位等基础问题。以单个乐人与群体互相结合的方式理清胡乐人是以一种什么形式存在;他们的存在给中原音乐带来了哪些变化;在这些变化的过程中他们做出了什么贡献等等。本文一共分为三章,第一章主要探讨隋唐时期胡乐人的来历及背景,对胡乐人进行地域上的界定,之后探讨隋唐之前来到中原的胡乐人,来到中原的胡乐人特殊的姓氏符号以及他们是通过何种途径来到中原的。第二章主要是论述隋唐时期胡乐人在中原的一些具体表现,首先是对出现在各地壁画文物中的胡乐人形象做了分类;之后是出现在史籍中的胡乐人进行系统的介绍分析,通过不同的地域进行个别的探讨,形成一种乐人与当时社会的场景;然后通过不同乐人的技能总结胡乐在中原音乐各个领域的传播;最后是探讨胡乐人的地位问题。第三章主要描写隋唐时期胡乐人对音乐的贡献及影响,胡乐人在中原的影响上至宫廷下至民间,因此主要探讨其在宫廷和民间的影响。最后一小节主要是胡乐人对中原与西域音乐双向交流问题的探讨。鉴于胡乐的强盛,一直以来产生了一种错误的观念,以为在隋唐时期音乐的交流上是一种由西向东的输入状态,其实这只是看到了其中一面,由中原传入西域各地的文化艺术也在影响着西域音乐的发展,这是一种文化的相互传播与接受,并非单方面的影响。
[Abstract]:Sui and Tang Dynasties is Chinese history of politics, economy, culture is the most prosperous period, with the opening of the Silk Road, the western regions and the Central Plains exchanges have become more frequent. The Central Plains and the western regions of the arts and culture collide and blend with each other, to produce a fusion of Chinese ethnic culture. This is the art fusion the Sui and Tang Dynasties period of political and economic stability, also cannot do without the exchange and dissemination of the artist. This article is mainly on a group of people came to the Central Plains Hu musician, Sui and Tang Dynasties of the Hu Le musician is the whole system indispensable part, they are related to the Eastward Transmission of western music the most authentic they are, Hu Yue in the main disseminators of Central Plains blossom everywhere, Hu Music fusion hero. On the basis of previous studies on the Hu Lok person discuss and investigation. Try to clear the Hu Lok person came to the Central Plains The background, reason, image based problem status. Combining with single music people and groups and clarify the Hu Lok person exists as a form of what they are; which has brought changes to the Central Plains music; in the course of such changes they make what contribution and so on. This paper is divided into three chapters the origin and background, the first chapter mainly discusses the Hu Lok person during the Sui and Tang Dynasties, to define regions of the Hu Lok person, after the discussion before the Sui and Tang Dynasties came to the Central Plains to the Central Plains Hu Hu Lok person, special symbols and their surname Lok person is in what way to the Central Plains. The second chapter mainly discusses the Sui and Tang Dynasties Hu Lok person in some specific the first is the performance of the Central Plains, appear in the local cultural relics murals in Hu Lok person image to do a classification; after the analysis appears in the historical records of Hu Lok person are introduced, by With the regional individual to form a kind of music with the social scene; then spread through various music skills summary of Hu Music in the Central Plains music in various fields; and finally discuss the status of Hu Lok person. The third chapter mainly describes the Sui and Tang Dynasties Hu Lok person of musical contribution and influence, Hu Lok person in the Central Plains influence to the palace to folk, so mainly discusses its influence in the palace and folk. The last section is mainly on the Central Plains of China and western music two-way communication problems. In view of Hu Yue Hu Lok person strong, always have a wrong idea, thought in the Sui and Tang dynasties music communication is an input state from the west to the East, in fact, it was just to see the one side, into western regions by the Central Plains culture and art also influence development of western music, this is a kind of cultural communication with each other Acceptance is not a single effect.

【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J609.2

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