中国清代西洋肖像画研究

发布时间：2018-01-11 10:13

本文关键词：中国清代西洋肖像画研究　出处：《华东师范大学》2017年博士论文　论文类型：学位论文

【摘要】：清代西洋肖像画是18至20世纪初中西政治、经济和文化交流的重要产物,包括用玻璃油画,布面油画,水粉、水彩等几个重要的西洋画画种绘制的肖像画。无论远渡重洋来到南方通商口岸的西方画家、进入宫廷西方传教士画家,抑或他们的学生——中国本土西洋画家,在西洋肖像画的创作上持续了一个多世纪之久,这也是中国绘画史上,最早出现的成批的西洋肖像画家及其西洋肖像画作品。本文通过对现存的清代西洋肖像画及相关文献进行系统梳理,运用传播学分析中西经济文化交流如何引发中西文化艺术的交流,中西商人、外交人员、旅行家、海员的艺术赞助对西洋肖像画在中国南部沿海的兴起和发展所起的推波助澜的历史作用。采用风格学、图像学和文献学等研究方法,厘清南方通商口岸和北方宫廷的西洋肖像画的发展格局和脉络,对清代西洋肖像画的艺术风格与发展特征进行分期系统研究,论证中西美术交流对清代西洋肖像画的艺术风格演变所产生影响;对佚名和有歧议的清代西洋肖像画进行鉴定和断代研究,包括作品的题材内容、表现风格、创作年代以及作者的考证分析等。旨在用这些创新研究成果,揭示清代西洋肖像画之于中国油画史和中国美术史学科建设的意义价值,填补中国美术史研究的空白,建构中国油画专门史,达到从理论和学术上促进美术学学科建设的目的,为现代中西美术的交流作出独特的理论贡献。
[Abstract]:The Qing Dynasty Western portraiture is 18 to twentieth Century West Junior High School Politics, an important product of economic and cultural exchanges, including the use of glass painting, oil painting, gouache, watercolor and several other important western painting drawing portraits. Both across the ocean to the western painting southern port, into the western missionaries court painter, or their students: China native Western painter in the Western portrait creation lasted for more than a century, this is the China painting history, the earliest batch of Western and Western portrait portrait painter painting. Through a systematical analysis of the existing Qing Dynasty Western portraiture and related literature, the use of communication the analysis of Chinese and western economic and cultural exchanges between Chinese and Western culture to initiate art exchanges between Chinese and Western businessmen, diplomats, travelers, sailors of Western art patronage portraits in the southern China The historical role played by the rise and development of the coastal waves. The style, image and literature and other research methods, to clarify the South North Atlantic Treaty Ports and the court portraits of the development pattern and context of artistic style and western development in Qing Dynasty portrait features staging system, demonstrates the art exchange between China and the the artistic style of the Qing Dynasty Western portrait of the evolution of the impact; there are disagreements in the Qing Dynasty Western portrait identification and dating of anonymous and themes, including the performance of the work style, creation and textual analysis. The author aims to use these innovative research results reveal the Qing Dynasty portrait painting in western China the history and significance of the subject construction of the history of art Chinese value, to fill the blank China of art history, the construction of specialized history China paintings, reached from the promotion of art and academic theory The purpose of the discipline construction is to make a unique theoretical contribution to the communication of modern Chinese and Western fine arts.

【学位授予单位】：华东师范大学
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J209.2

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