身份游离与文化资本-20世纪90年代诗歌的民间写作考察

发布时间：2018-01-19 10:41

本文关键词： 90年代民间诗歌写作文化研究身份游离文化资本　出处：《南京师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：“90年代是诗歌重返民间的时代”(于坚),本文研究的诗歌的“民间写作”是20世纪90年代诗歌写作重要的一隅。民间诗人提倡的“诗到语言为止”、“拒绝隐喻”等诗学理念和身体力行的诗学探索,对90年代的多元化诗歌写作以及新世纪以来的诗歌写作均产生了重要的影响。上世纪90年代以来,中国当代诗歌在精神内涵上打上了整个社会政治、经济、文化消费心理等的局部转型的烙印,多元化的诗歌写作登上时代舞台。相对于80年代诗歌,它以自己独特的言述逻辑建构起了具备一定审美合法性的话语形态,尤其是以民间写作为代表的诗歌显示出叙事性、个人化、口语化的转变,这种“转变”与时代的文化背景也是息息相关的。因此,从时代的文化背景和价值观念等考察民间诗歌写作就显得很有必要。 90年代诗歌的民间写作的产生及发展从本质上说源于当时的文化背景。市场大潮的席卷、西方思潮的涌入及价值观的转变造成了诗人身份的游离,这必然反馈在诗歌写作上。另外,90年代的“诗歌话语”是一种法国社会学者皮埃尔·布尔迪厄所谓的“文学场”,民间写作与学院派写作进行着文化资源与话语权占位的争夺,它构成了90年代最重要的且最有影响的文化景观之一。从文学场域等社会学理论入手,结合民间诗歌写作的理论主张和文本分析,更能清晰的梳理出其发展脉络、阐述诗学意义。全文分为三章：第一章交代了民间写作的历史语境与身份游离特征,指出民间写作产生的源头和文化背景；第二章是重点,除了指出民间写作与知识分子写作在精神立场、思维方式、话语资源等方面存在的诸多分歧外,还从考察这种文学话语背后渗透的意识形态的角度入手,破解隐藏背后的“文化权力”；最后一章指出民间写作的分化及分化的原因,以及对新世纪以来诗歌写作的客观影响。客观、冷静地分析民间写作的历史语境、写作特征,深入探究其内在的文化转向的肇因,从社会学角度揭示出隐藏在诗歌写作背后的“文化资本”,有助于我们更加全面的理解和评价90年代诗歌,也有助于对新世纪诗歌写作的发展和创新做出理论上的指导和把夺。
[Abstract]:"90s is the time for poetry to return to the folk" (Yu Jian-an, "Folk Writing" of the poems studied in this paper is an important corner of poetry writing in 1990s. "Poetry to language" advocated by folk poets. The poetic ideas such as refusing metaphor and practicing poetics have exerted great influence on the pluralistic poetry writing in 90s and poetry writing since the new century. Since -10s, Chinese contemporary poetry has been marked by the local transformation of the whole social politics, economy and cultural consumption psychology on the spiritual connotation. Compared with the poetry in 80s, it constructed a discourse form with certain aesthetic legitimacy with its own unique narrative logic. Especially the poetry represented by folk writing shows the change of narrative, individualization and colloquial, which is closely related to the cultural background of the times. It is necessary to investigate folk poetry writing from the cultural background and values of the times. In 90s, the emergence and development of folk writing of poetry originated from the cultural background of the time, the sweeping tide of the market, the influx of western thoughts and the change of values, which resulted in the dissociation of the poet's identity. And the poetic discourse of the 1990s was what Pierre Bourdieu, a French sociologist, called a "literary field." Folk writing and academic writing compete for cultural resources and discourse power, which constitutes one of the most important and influential cultural landscape in 90s. Combined with the theory of folk poetry writing and text analysis, it can clearly sort out its development context and explain the significance of poetics. The full text is divided into three chapters: the first chapter explains the historical context and identity of folk writing, pointing out the origin and cultural background of folk writing; The second chapter is the focus, in addition to pointing out the folk writing and intellectual writing in the spiritual position, mode of thinking, discourse resources and other aspects of many differences. From the perspective of the ideology behind the literary discourse, the author tries to crack the "cultural power" behind the hidden literary discourse. The last chapter points out the causes of the division of folk writing and its objective influence on poetry writing in the new century. Objectively and calmly analyzes the historical context and writing characteristics of folk writing, deeply explores the causes of its internal cultural turn, and reveals the "cultural capital" hidden behind poetry writing from a sociological point of view. It is helpful for us to understand and evaluate the poetry of 90s more comprehensively, and also to give theoretical guidance to the development and innovation of poetry writing in the new century.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.25

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