全球化时代审美解放话语的重建——当代西方马克思主义政治美学的三重论域

发布时间：2018-02-21 16:51

本文关键词： 政治美学全球资本主义开放政治西方马克思主义　出处：《文艺理论研究》2017年05期 　论文类型：期刊论文

【摘要】：西方马克思主义的美学并不是一种"纯"美学,毋宁是一种"政治美学",或者说是一种解放政治的审美话语,其根本目标是实现阿尔都塞所说的由意识形态国家机器塑造的阶级人向自由主体的转变。20世纪60、70年代以来,当代西方马克思主义者在继承卢卡奇、阿多诺等人奠基的政治美学传统的同时,直面全球化语境下西方社会政治、经济的变迁和文化的转向,探索审美解放话语的重建:通过批判晚期资本主义的文化逻辑重构对现实和历史的认知,唤醒一度沉寂的乌托邦冲动,奠定政治美学的历史基础;通过论证审美意识形态对身体的塑造和非物质性劳动对劳动者的影响,将身体空间和劳动过程作为政治美学的两大斗争领域;通过对政治和美学内在关联与差异的思考,肯定审美过程之中蕴含的实践力量,对政治美学可能采取的斗争方式进行了探讨。当代西方马克思主义政治美学在这三重论域的展开最终是为了超越全球资本主义、实现人的自由而全面发展,对于当今的社会发展和文化艺术发展有重要启示。
[Abstract]:The aesthetics of Western Marxism is not a kind of "pure" aesthetics, but rather a "political aesthetics" or an aesthetic discourse of liberating politics. Its fundamental goal is to realize the transformation of class man from ideology state machine to free subject, as described by Althusser. Since the 1960s and 1970s, contemporary western Marxists are inheriting Lukacs. Adorno and others laid the foundation of the tradition of political aesthetics at the same time, facing the globalization context of the political, economic and cultural changes in the West, To explore the reconstruction of aesthetic liberation discourse: by criticizing the cultural logic of late capitalism to reconstruct the cognition of reality and history, to awaken the once silent utopian impulse and to lay the historical foundation of political aesthetics; Through the demonstration of the shaping of the body by aesthetic ideology and the influence of immaterial labor on the laborer, the body space and labor process are regarded as the two major struggle fields of political aesthetics, and the inner connection and difference between politics and aesthetics are considered. Affirming the practical power contained in the aesthetic process, this paper probes into the possible struggle mode of political aesthetics. The development of contemporary Marxist political aesthetics in this triple realm is ultimately aimed at surpassing global capitalism. The realization of free and all-round development of human beings has important implications for the social development and the development of culture and art.
【作者单位】：南京信息工程大学传媒与艺术学院;
【基金】：江苏高校哲学社会科学基金项目“当代西方左翼美学思潮研究”[项目编号:2017SJB0163] 南京信息工程大学人才启动项目“当代国外马克思主义美学与艺术批评研究”[项目编号:2016r030]阶段性成果之一~~
【分类号】：I01

【相似文献】