从殖民时期电影到“索马里坞”——概述索马里电影的崛起
发布时间：2018-08-21 11:19
【摘要】：当谈及非洲电影,人们往往将目光投向于发展得更加成熟的西非和南非电影,却很少有人关注在非洲电影史上扮演着重要角色的索马里电影。自索马里独立以来,索马里电影主要为后殖民理论、泛非主义所驱动,生产观照索马里独特文化以及整个非洲大陆社会、政治、经济等重要议题的享誉世界的电影文本。不久后,索马里发生的政变与混乱导致索马里导演和电影家离散在世界各地,索马里的电影产业不绝如缕。从此,主流媒体当中围绕战争、饥荒等负面议题的索马里形象让分散在全世界的索马里民众疑惑不解。21世纪初,美国俄亥俄州哥伦布市诞生的"索马里坞"—Somaliwood,则平衡了西方电影对索马里流行文化的西式叙述,以新时代电影制作和销售方法试图挽回舆论。如今,产地分散在内罗毕、开普敦、伦敦和哥伦布等世界各大城市的索马里电影,继续剖析历史创伤话题、展开对文化错位的思考,当然,还有对国家民族瓦解后民族矛盾身份认同的深思。本文旨在剖析索马里电影文本,了解索马里电影从其殖民根源到当前离散状态的发展历史。
[Abstract]:When it comes to African films, people tend to focus on more mature West and South African films, but few on Somali films that play an important role in the history of African films. Since the independence of Somalia, Somali films have been mainly driven by post-colonial theory and pan-Africanism, producing world-renowned film texts that reflect the unique culture of Somalia and the social, political, economic and other important issues of the whole African continent. Soon after, the coup d'茅 tat and chaos in Somalia left Somali directors and filmmakers scattered around the world, and Somalia's film industry became inextricably linked. Since then, the image of Somalia in the mainstream media surrounding the negative issues of war, famine, and other issues has puzzled the Somali people scattered around the world at the beginning of the 21st century. "Somaliwood", born in Columbus, Ohio, balances the Western narration of Somali popular culture in Western films and tries to redeem public opinion by making and selling films in the new era. Today, Somali films in cities around the world, such as Nairobi, Cape Town, London and Columbus, continue to analyze historical trauma and think about cultural dislocation, of course. There is also a deep reflection on the identity of the national contradictions after the disintegration of the nation. The purpose of this paper is to analyze the Somali film texts and to understand the development history of Somali films from their colonial roots to the current discrete state.
【作者单位】： 浙江师范大学非洲研究院/非洲影视研究中心;
【分类号】：J905
，
本文编号：2195553
[Abstract]:When it comes to African films, people tend to focus on more mature West and South African films, but few on Somali films that play an important role in the history of African films. Since the independence of Somalia, Somali films have been mainly driven by post-colonial theory and pan-Africanism, producing world-renowned film texts that reflect the unique culture of Somalia and the social, political, economic and other important issues of the whole African continent. Soon after, the coup d'茅 tat and chaos in Somalia left Somali directors and filmmakers scattered around the world, and Somalia's film industry became inextricably linked. Since then, the image of Somalia in the mainstream media surrounding the negative issues of war, famine, and other issues has puzzled the Somali people scattered around the world at the beginning of the 21st century. "Somaliwood", born in Columbus, Ohio, balances the Western narration of Somali popular culture in Western films and tries to redeem public opinion by making and selling films in the new era. Today, Somali films in cities around the world, such as Nairobi, Cape Town, London and Columbus, continue to analyze historical trauma and think about cultural dislocation, of course. There is also a deep reflection on the identity of the national contradictions after the disintegration of the nation. The purpose of this paper is to analyze the Somali film texts and to understand the development history of Somali films from their colonial roots to the current discrete state.
【作者单位】： 浙江师范大学非洲研究院/非洲影视研究中心;
【分类号】：J905
，
本文编号：2195553
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