中国犀皮漆现状研究

发布时间：2018-09-05 07:35

【摘要】：中国传统文化之漆艺的发展,伴随着政治、经济、历史、军事、社会生活的节奏谱写历史的每一章,古人从认识漆、使用漆、制造漆、研究漆艺、创新漆的技法、发扬漆意中漆艺的技法研究不容忽视。所谓“技进呼道”,同义“形而上者谓之器,形而下者谓之道”、“道器不二”。也就是说“器”、“道”与“技”三者之间衍生关系与从属关系,犀皮漆技法从属于中国传统文化漆艺技法,犀皮漆的技法离不开漆、器与技。那么,犀皮漆是什么?出自于何处?与当代艺术有何关系?具体犀皮漆诞生的原因、制作、工艺、影响、价值意义与传承发展以及与其它漆艺、文化、设计之间的关系与联系是什么?犀皮漆的概念的界定与产生的时代背景、历史划分及文物出现、文史资料的进行梳理归纳。古人、现代与当代对于犀皮漆的概念文献梳理与总结、认识,研究其现状。如此,犀皮漆与漆、造型、色彩、设计、工艺、美学、思想及传统文化、现代生活与当代设计有着各种介入话题与视觉的碰触。本文试图丰富犀皮漆技法的现状研究与艺术特点。漆与犀皮漆技法,犀皮漆与库路真、变涂工艺、绞胎,试图构架犀皮漆与传统工艺文化的创新并有着必然联系。结合市场调研目前犀皮漆分布现状与如何开发犀皮漆的利用与传承传统文化提出合理有效的建议。为此,以传承与保护中国传统漆艺文化为基准,共同探讨漆艺技法犀皮漆技法的理论依据与图案设计的基本原理,以多元化的图形设计在现代漆艺设计及其它领域的应用为目标,结合漆艺的传统技法艺术实践为研究犀皮漆的发展提供有效的理论依据与有效的建设性方案,共同为现代漆艺的设计与绿色消费及健康生活提供有效的建议。同时,望能对于从事漆艺理论与文化研究的专家学者能有所裨益。
[Abstract]:With the development of lacquer art in Chinese traditional culture, with the rhythm of politics, economy, history, military, and social life, the ancients began to understand paint, use lacquer, make lacquer, study lacquer art, and innovate lacquer technique. The technique research of developing lacquer art in lacquer idea can not be ignored. The so-called "technical progress calls the Tao", synonymous with "metaphysical called the weapon, the form is called the way", "Tao is not two." That is to say, the relationship and subordinate relationship between "apparatus", "Tao" and "technique" are derived, and luteolin lacquer technique is subordinate to traditional Chinese culture lacquer technique, and luteolin lacquer technique cannot be separated from lacquer. So, what's the rhinoceros? From where? What does it have to do with contemporary art? What are the reasons, manufacture, craft, influence, value meaning, inheritance and development of specific luteolin lacquer and the relationship and relation with other lacquer art, culture and design? The definition and background of the concept of luteolin, the division of history and the appearance of cultural relics, and the sorting and summing up of literature and history materials. The ancient, modern and contemporary literature on the concept of luteolin lacquer is summarized, recognized and studied. Thus, luteolin lacquer and lacquer, modelling, color, design, craft, aesthetics, thought and traditional culture, modern life and contemporary design have a variety of topics and visual touch. This paper attempts to enrich the present situation of luteolin lacquer techniques and artistic characteristics. Lacquer and luteolin lacquer technique, luteolin lacquer and Kuluzhen, varnish changing technology, twisting tire, trying to frame luteolin lacquer and the innovation of traditional craft culture have inevitable relation. Based on market research, the paper puts forward some reasonable and effective suggestions on how to develop luteolin lacquer and how to inherit traditional culture. Therefore, based on the inheritance and protection of Chinese traditional lacquer culture, the theoretical basis of lacquer technique and the basic principle of pattern design are discussed together. Aiming at the application of diversified graphic design in modern lacquer design and other fields, combined with the traditional art practice of lacquer art, it provides an effective theoretical basis and effective constructive scheme for the development of luteolin lacquer. Together for modern lacquer art design and green consumption and healthy life to provide effective advice. At the same time, hope to be able to engage in lacquer art theory and cultural research experts can benefit.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J527

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