荆楚艺术符号的重塑与运用—武汉景观桥艺术风格创新研究

发布时间：2018-03-01 06:05

本文关键词： 武汉“桥文化” 荆楚艺术符号桥梁装饰风格创新　出处：《武汉理工大学》2015年硕士论文　论文类型：学位论文

【摘要】：武汉是一座因水而兴的城市,长江、汉水、东湖等贯穿城市的水体既是城市自然风貌的构成元素,也是城市经济、地域文化的发迹源头和发展动力。桥梁作为连接水体两岸的功能性建筑,在武汉城市景观要素的构成和城市风貌特征的展现方面也发挥着不可替代的作用。如今在武汉三镇,横跨长江、汉水之上的已建和在建桥梁数量已超过十座,其他小体量的景观桥更是不胜枚举,可以说今天的武汉是一座名副其实的“桥梁之都”。然而《湖北日报》于2013年12月18日刊登了一篇名为《武汉再建桥能否更有个性》的文章,从一个侧面也映射出了当今武汉景观桥梁建设过程中所出现的桥梁结构相同、艺术风格类似的现状。湖北省筑建厅于2013年遵照习近平主席视察湖北时所提出的城乡建设应体现湖北特色和荆楚文化的重要指示,组织并开展了湖北省“荆楚派”建筑风格研究项目,而桥梁建筑作为荆楚建筑体系中的一个重要分支,对其艺术风格创新的研究同样具有极其重要的意义与价值。桥梁同其他建筑一样是城市风貌的一个构成元素,其风格特征应当与其所处的地域建筑风貌相一致。自古以来桥梁建筑艺术风格塑造的重点并不在于桥型变化,而在于桥身之上的栏杆、纹饰、桥上建筑等装饰性元素的风格演绎.因此,武汉景观桥梁艺术风格的创新思路就应当与荆楚建筑艺术风格的创新思路相一致。本研究是站在特定的历史背景之下,通过实地考察、研读历史文献等方式分析研究武汉“桥文化”的发展历史,深入挖掘“桥文化”在武汉城市发展过程中的重要地位,并结合对荆楚建筑风格及中国传统桥梁设计艺术表达形式的研究,力求以传统荆楚文化要素为线索,以荆楚造物名器、建筑设计形态为研究对象,认识荆楚地区传统艺术设计理念的形成逻辑,解读与重组古代荆楚地区的设计基因,从而找寻传统荆楚艺术符号在现代设计造型逻辑下的创新演变手法以及在武汉景观桥梁装饰元素创新设计中的运用方式,并将理论研究成果运用到武汉市景观桥创新艺术形态设计实践之中,通过对武汉“桥文化”与荆楚建筑的历史、文化、艺术要素进行梳理,经过提炼、演变、叠加、重组等一系列设计过程,重塑传统荆楚艺术符号,从而完成对桥亭、桥屋、桥头堡等附属景观装饰元素的创新设计,并将这些装饰性元素作为装饰艺术符号运用到武汉景观桥艺术风格创新之中,使之产生特殊的艺术效果,创造出散发传统荆楚文化魅力,饱含武汉“桥文化”底蕴的唯美化景观桥装饰艺术新风格,以此来还原、修复武汉的荆楚文化历史记忆,促进传统荆楚设计风格的传承与延续,增强武汉城市风貌与桥梁设计艺术的区域文化特征识别性。
[Abstract]:Wuhan is a city full of water. The water bodies running through the city, such as the Yangtze River, the Hanshui River and the East Lake, are not only the elements of the city's natural features, but also the urban economy. As a functional building connecting the banks of water bodies, bridges also play an irreplaceable role in the composition of Wuhan urban landscape elements and the display of urban features. Across the Yangtze River and over the Hanshui River, the number of bridges under construction has exceeded 10, and the number of other small size bridges is even more numerous. It can be said that Wuhan today is a veritable "bridge capital." however, on December 18th 2013, the Hubei Daily published an article entitled "can Wuhan build a Bridge with more Personality"? It also reflects the same bridge structure in the process of Wuhan landscape bridge construction. In 2013, the Hubei Provincial Building and Construction Office followed the important instructions put forward by President Xi Jinping during his visit to Hubei that urban and rural construction should reflect Hubei characteristics and Jingchu culture. Organized and carried out the "Jingchu School" architectural style research project in Hubei Province, and bridge architecture as an important branch of the Jingchu architectural system, The research on the innovation of its artistic style is also of great significance and value. Bridges, like other buildings, are an element of urban style. The artistic style of bridge architecture since ancient times is not the change of bridge type, but the railing and decoration above the bridge body. Therefore, the innovative thinking of Wuhan landscape bridge art style should be consistent with Jingchu architectural artistic style innovation thinking. Through on-the-spot investigation, study of historical documents and other ways to analyze and study the development history of Wuhan's "bridge culture", and deeply explore the important position of "bridge culture" in Wuhan's urban development, Combined with the study of Jingchu architectural style and Chinese traditional bridge design art expression, this paper tries to take the traditional Jingchu cultural elements as the clue, the Jingchu creation name vessel and the architectural design form as the research object. Understanding the formation logic of the traditional artistic design concept in Jingchu region, interpreting and reorganizing the design genes of the ancient Jingchu region, In order to find the traditional Jingchu artistic symbol under the modern design modeling logic innovation evolution and in Wuhan landscape bridge decoration element innovation design application way, And applies the theory research result to Wuhan landscape bridge innovation artistic form design practice, through to Wuhan "bridge culture" and the Jingchu architecture history, the culture, the artistic essential factor carries on the comb, after refines, the evolution, the superposition, A series of design processes, such as reengineering, reshaping traditional Jingchu art symbols, thus completing the innovative design of ancillary landscape decoration elements such as bridge pavilions, bridgehouses, bridgeheads, etc. And apply these decorative elements as decorative art symbols to Wuhan landscape bridge artistic style innovation, so that it produces a special artistic effect, creating the dissemination of traditional Jingchu culture charm, The aesthetic landscape bridge decorative art style full of Wuhan's "bridge culture" is used to restore and restore the historical memory of Wuhan's Jingchu culture, and to promote the inheritance and continuation of traditional Jingchu design style. To enhance the regional cultural characteristics of Wuhan urban features and bridge design art.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：U442.5

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