中国和尼泊尔之间铜器铸造技术方面的比较

发布时间：2021-03-21 16:40

　　本文研究了尼泊尔和中国铜器铸造之间的关系,目的旨在探索铜器铸造的主要条件,以便能够更新我们通常的理解和领悟。本文尝试从中国和尼泊尔的铜器铸造的历史、过程和方法上阐明其艺术性特点,特别侧重铜器铸造方面艺术特征的表述。人类铸造铜器的历史可以追溯到6000年前,其复杂的铸造厂工作和冶金学是不言而喻的,本文主要在去蜡技术的基础上,从理论上和实践上作出《中国和尼泊尔之间铜器铸造技术方面的比较》的研究,特别是去蜡技术在冶金历史上发展最为显著。本文研究了知名艺术家们铜器铸造的论述,深入明确这些艺术家的艺术品在融化金属,锻造,塑形和展现光泽的过程和技术特点。按照主题、效果和类型进行了分类。此外,还探讨了寻求材料、艺术风格和形式整体平衡时材料选择和技术应用。最后还考虑了空间利用、材料构建效果和美学的最优组合方式。本文的研究和比较不仅有利用铜器铸造工作,而且有利于通过资源丰富的艺术和文化刷新艺术家的认知观念。在初始概念形成和艺术激情表达的基础上,通过哲学上和观念上的观察,进一步阐明艺术家的思想和创作。我们两国共同的铜器铸造特点也在本文通过对铸造过程的得到认识和交流。 

【文章来源】：南京师范大学江苏省 211工程院校

【文章页数】：95 页

【学位级别】：硕士

【文章目录】：
Abstract
摘要
Acknowledgments
Dedication
Introduction
    History of Bronze Art in China and Nepal
    Bronze Casting in China and Nepal
    The Bronze Alloy
    Present situation of Bronze casting in China and Nepal
    The Propose and Significant of this study
Chapter-1
    1. Comparison of Bronze casting between China and Nepal
        1.1. Bronze Casting history in China
            Ancient Bronze Casting Techniques
                ·Stone Mould Casting
                ·Clay Mould Casting
                ·Piece Mould Casting and Section Mould
                ·Ablation Casting （Lost- Rope）
                ·Lost Wax Casting
                ·Permanent Mould Casting
            Bronze Alloys in China
        1.2. Bronze Casting History in Nepal
            Ancient Casting Process of Nepal
                ·Lost Wax Casting Method
                ·Sand Casting Method
            The Bronze Alloy in Nepal
Chapter-2
    2. Methodology of Chinese and Nepalese Bronze casting
        2.1. Qualitative and Quantitative Research
        2.2. Explanation of Research Methodology
        2.3. Selection of Metalsmith and Foundries for Study
        2.4. Principals of Selection
        2.5. The Way of Research
        2.6. Project of Development Process
        2.7. Development of Idea of this study
        2.8. Preparation of material of this study
st stage Work in Nepal">        2.9. The 1^st stage Work in Nepal
            2.9.1. Traditional and Gypsum Lost Wax Method
            2.9.2. Preparation of the Materials by Skillful Caster
            2.9.3. Preparation of Main Model
            2.9.4. Moulding Process
            2.9.5. Wax model
            2.9.6. Traditional Ceramics shell mould and Gypsum mould
                ·Traditional Ceramics Shell mould
                ·Gypsum Investment mould
            2.9.7. Dewaxing Process
            2.9.8. Negative Ceramics Mould to Positive Bronze
            2.9.9. knock out solid bronze sculpture from mould
            2.9.10. Finishing
            2.9.11. Decorating and finishing
nd stage Work in China">        2.10. The 2^nd stage Work in China
            2.10.1. How to make Main Model
            2.10.2. The moulding process
            2.10.3. Wax model of Avalokiteshvara
            2.10.4. Ceramics Shell Mould
            2.10.5. Dewax/Burnout Ceramics Shell
            2.10.6. Melting and Pouring Metal in to the Mould
            2.10.7. Release Bronze Sculpture from the Shell Mould
            2.10.8. Finishing
Chapter -3
    3.1. History of Bronze Art in China and Nepal
        3.1.1. China
        3.1.2. Primitive Stage
        3.1.3. The golden Age
        3.1.4. The Transition Period
            ·Styrofoam engraving
    3.2. Nepal
        3.2.1 Earliest Nepalese Art
            3.2.2. The Golden Age
            3.2.3. The Transition Period
    3.3. Analysis of experimental work
    3.4. The Process of Investment Mould in The Both Country
        3.4.2. Slurry of the Ceramics shell Mould in Nepal
        3.4.3. The Outer Layer and Core of the Investment Mould
        3.4.4. Material of Gypsum Mould Solution
        3.4.5. Investment Ceramics Shell Mould in the China
    3.5. Chemical and Material solution and Ratio in This Study
        3.5.2. Appendix-1
            ·Wax solution In Nepal
            ·Paraffin wax with bee's wax
            Solution in China
        3.5.3. Appendix-2
            ·Ceramics Shell Mould Solution
        3.5.4. Appendix-3
            Bronze in China
            Bronze in Nepal
Chapter-4
    4.1. importance role of Bronze art in religion and culture
    4.2. Conclusion
References
·Appendix:-4 My work


【参考文献】：
期刊论文
[1]The ancient Chinese casting techniques[J]. Tan Derui1 and Lian Haiping2(1.Chinese Society of Traditional Crafts,Shanghai,China;2.Shanghai Museum,No.1357 Yan’an Road (West),Shanghai 200050,China).  China Foundry. 2011(01)



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