切利尼：金匠、雕塑家、作家

发布时间：2018-06-17 02:44

本文选题：切利尼 + 比较论　；参考：《南京师范大学》2013年博士论文

【摘要】：本威努托·切利尼(Benvenuto Cellini1500-1571),文艺复兴后期著名的金匠、雕塑家和作家。他的后世声名主要得自于他的《自传》,其中的奇闻逸事常吸引着人们的兴趣,以致使切利尼对艺术理论领域的贡献有待进一步讨论。事实上,切利尼是一位既创作出优秀作品又有理论建树的丰富完整的人。文艺复兴是艺术家的地位获得巨大提升的时期,在这一过程中比较论功不可没,艺术家积极参与到这一讨论中以证明艺术是与诗歌一样高贵的自由学科。劳力是辩论的中心话题,但却以被谴责的对象出现。因此,金匠的手艺、雕塑家的劳力都未能获得应有的重视。但是,切利尼反其道而行之,为金匠手艺、雕塑家劳力做了充分的辩护,也因此为文艺复兴的艺术理论做了重要补充。在提升自身地位这一愿望的驱使下,艺术家多以高贵优雅的形象出现,切利尼同样采用了这一形象,但他同时塑造了另一种其他艺术家不敢企求的粗俗形象。从而作为一个完整的人为文艺复兴添上了浓墨重彩的一笔。
[Abstract]:Benvenuto Cellini 1500-1571, famous Goldsmith, sculptor and writer in the late Renaissance. His fame derives mainly from his autobiography, in which anecdotes often attract people's interest, so that Chellini's contribution to the field of art theory needs further discussion. In fact, Chellini is a rich and complete person who has both excellent works and theoretical achievements. The Renaissance was a period in which the status of an artist was greatly improved. In this process, the comparative theory contributed greatly. The artist actively participated in this discussion to prove that art is a liberal discipline as noble as poetry. Labor is at the centre of the debate, but it appears to be condemned. Therefore, the workmanship of goldsmiths and sculptors' labour were not given the attention they deserved. However, Chellini did the opposite, fully defending the workmanship of goldsmiths and sculptors, and thus providing an important complement to the art theory of the Renaissance. Driven by the desire to improve his status, artists often appear in a noble and elegant image, which Chellini also adopts, but at the same time he creates another kind of vulgar image that other artists do not dare to seek. Thus, as a complete Renaissance, the Renaissance added a strong color.
【学位授予单位】：南京师范大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J03;K835.46

【共引文献】