越南阮朝乐舞制度研究

发布时间：2018-05-12 22:11

本文选题：越南阮朝 + 乐舞制度　；参考：《广西民族大学》2017年硕士论文

【摘要】：乐舞制度是东亚王朝国家礼乐制度的重要组成部分,是国家等级制度的体现,是维护政权统治的重要手段。本文结合《大南实录》、《大南会典事例》、《历朝宪章类志》、《大越史记全书》、《雨中随笔》等越南汉喃文献以及中国历代史籍中关于乐舞的记载,运用“历史学”、“历史人类学”、“艺术人类学”等研究方法,探讨了越南阮朝乐舞制度的历史渊源,分析了阮朝乐舞的种类,在将阮朝与中国明清两代乐舞制度加以比较的基础上,对阮朝乐舞的历史作用进行了初步阐释。阮朝制定礼仪乐舞制度、成立乐舞管理机构以及对乐舞的用法,几乎全面接受了中国明清时期的乐舞内容,这实质上是宗藩体制下的一种文化传播现象,但通过对比可知其从内容到规模是与中国明清时期不能比拟的。
[Abstract]:The music and dance system is an important part of the national ritual and music system of the East Asian dynasty, the embodiment of the national hierarchy system and the important means to maintain the regime rule. In this paper, the author applies "History", "Historical Anthropology", "Historical Anthropology" and "Historical Anthropology" by combining Vietnam's Han and Han documents, as well as the records of music and dance in Chinese historical books, such as "the actual Records of the Great South", "the examples of the Danan Society", "the Charters of the past dynasties", "the Book of Historical Records of the Great Yue", etc. This paper discusses the historical origin of Nguyen Chao's music and dance system in Vietnam, analyzes the types of it, and compares it with the two dynasties' music and dance systems in Ming and Qing dynasties. The historical function of Ruan Chao's music and dance is preliminarily explained. The Ruan Dynasty formulated the etiquette music and dance system, established the music and dance management organization and the use of the music and dance, almost fully accepted the music and dance content of the Ming and Qing dynasties of China, which is essentially a phenomenon of cultural transmission under the suzerain-vassal system. But by comparison, we can see that its content and scale can not be compared with the Ming and Qing dynasties.
【学位授予单位】：广西民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K333.3

【参考文献】