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中日文化交流史上的龙泉窑青瓷研究

发布时间:2018-08-25 07:38
【摘要】:中国素有"瓷国"之称,中国瓷器自唐代以来就开始成为中国对外贸易的最主要产品,在世界各国享有盛誉。宋代特别是南宋以后,位于浙江龙泉市的龙泉窑凭借其优越的自然条件和便利的水利运输条件,发展成规模庞大的名窑,产品不仅供国内使用,而且远销海外各国。本文拟以浙江龙泉窑青瓷为研究对象,在宋、元、明时期中日两国贸易往来的背景下,探讨龙泉窑青瓷东传日本的过程及其在中日文化交流史上发挥的重要作用。本文由引言、正文第一至第四章和结论构成。引言部分,对龙泉窑青瓷相关先行研究进行梳理,阐明选题内容、意义以及研究方法。第一章,从龙泉窑青瓷的发展、中日贸易的兴盛、中日禅茶文化的交流三个方面对中日龙泉窑青瓷交流的背景进行论述。第二章,分为两个小节对龙泉窑青瓷的东传日本进行论述。第一节是龙泉窑青瓷出口日本的港口、路线;第二节是龙泉窑青瓷出口日本的途径,包括民间贸易、寺社造营料唐船贸易和僧侣活动。第三章,阐述各个历史时期出口日本的龙泉窑青瓷情况,主要分为初期龙泉窑青瓷阶段、莲瓣纹碗和砧青瓷阶段、天龙寺青瓷阶段、粗制碗类阶段。第四章,论述龙泉窑青瓷在日本社会的用途以及对日本制瓷业产生的影响。其中,用途主要包括作为生活用器、陈设用器、祭祀副葬用器以及其他作用的四个方面。探讨龙泉窑青瓷在中日文化交流史上发挥的重要作用的同时,在一定程度上管窥日本吸收外来文化的特点。最后为结语部分。在总结正文论述的主要观点的基础上,客观分析论文写作中的不足之处,以待日后进一步地探讨和研究。
[Abstract]:China is known as the "porcelain country". Since the Tang Dynasty, Chinese porcelain has become the most important product of China's foreign trade and enjoys a high reputation in the world. In the Song Dynasty, especially after the Southern Song Dynasty, Longquan Kiln, located in Longquan City, Zhejiang Province, developed into a large scale famous kiln by virtue of its superior natural conditions and convenient water transportation conditions. The products were not only used in China, but also exported to overseas countries. This paper takes Longquan Kiln celadon in Zhejiang Province as the research object, under the background of the trade between China and Japan in Song, Yuan and Ming dynasties, discusses the process of Longquan Kiln celadon passing east to Japan and its important role in the history of Sino-Japanese cultural exchange. This paper is composed of introduction, chapters 1 to 4 and conclusion. In the preface part, the related research of Longquan kiln celadon is combed to clarify the content, significance and research methods. The first chapter, from the development of Longquan kiln celadon, the prosperity of Sino-Japanese trade, the exchange of Zen tea culture between China and Japan to discuss the background of Sino-Japanese Longquan kiln celadon exchanges. The second chapter, divided into two sections of Longquan kiln celadon to discuss the eastward transmission of Japan. The first section is Longquan kiln celadon exported to Japan's port, route; the second section is Longquan kiln celadon exports to Japan, including folk trade, the temple society made materials Tang boat trade and monk activities. In the third chapter, the celadon of Longquan Kiln exported to Japan in each historical period is described. It is mainly divided into three stages: the initial stage of Longquan Kiln celadon, the stage of lotus petal bowl and anvil celadon, the stage of celadon of Tianlong Temple, and the stage of rough bowl. Chapter four discusses the use of Longquan kiln celadon in Japanese society and its influence on Japanese porcelain industry. Among them, the main uses include as a living apparatus, furnishing utensils, sacrificial funerary objects and other four aspects of the role. This paper probes into the important role of Longquan kiln celadon in the history of Sino-Japanese cultural exchange, and at the same time, to a certain extent, views the characteristics of Japan's absorption of foreign culture. The last part is the conclusion. On the basis of summing up the main points of the text, this paper objectively analyzes the shortcomings of the thesis writing, so as to be further explored and studied in the future.
【学位授予单位】:浙江工商大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J527;K103

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