敦煌早期三窟及湿壁画技法——《敦煌石窟全集》第一卷《莫高窟第266～275窟考古报告》编后

发布时间：2018-05-20 08:16

本文选题：石窟考古报告 + 敦煌早期三窟　；参考：《敦煌研究》2017年05期

【摘要】：《敦煌石窟全集》第一卷《莫高窟第266~275窟考古报告》于2011年出版,揭开了敦煌石窟研究的新篇章。书中敦煌早期三窟——莫高窟第268、272、275窟,是学界公认敦煌现存最早的石窟寺遗迹。"敦煌地接西域",西北印度和中亚的弥勒信仰在三窟得到纯粹而完备的图像学表现。三窟的具体年代迄无定论,不同的意见及窟内复杂情况须深入探讨。早期三窟美术品的制作技法值得注意。敦煌早期壁画至少在绘制开始的步骤,应该是使用了湿壁画的方法。
[Abstract]:The first volume of the complete Collection of Dunhuang Grottoes, the Archaeological report of the Mogao Grottoes No. 266Grottoes, was published in 2011, opening a new chapter in the study of Dunhuang grottoes. In the book Dunhuang early three grottoes-Mogao Grottoes Grottoes 268272275, is recognized by scholars as the earliest existing Dunhuang grottoes temple remains. " The Maitreya Faith in Northwest India and Central Asia is pure and complete in the three grottoes. The specific age of the three grottoes is uncertain, different opinions and the complex situation in the grottoes need to be deeply explored. The techniques of making the early three grottoes are worthy of attention. The early Dunhuang murals, at least in the beginning of painting, should be the use of wet murals.
【作者单位】：文物出版社;
【分类号】：J218.6;K879.21

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