茅茨:一种道教信仰符号的传播与适应

发布时间：2018-06-01 19:03

本文选题：茅茨 + 静室　；参考：《民族艺术》2013年04期

【摘要】：六朝时期用茅茨装点自然山水或人工山水的审美心理最初发自一种本土的、历史悠远的宗教意识,而这种意识后来又为道教徒继承下来。这些茅茨其实是远古时期神圣建筑的延续,是当时道教信仰的一种特有符号。佛教在中土传播的初期,外来传教士采取了道教的宣教模式,在表演神迹以吸引大众的同时,也借用了道教建筑的外形,这表明当佛教向中土输出意识形态的时候,自己也受到了反作用力,茅茨就是其中一个典型案例。
[Abstract]:The aesthetic psychology of loading natural landscapes or artificial mountains and rivers with Maoz in the Six Dynasties first originated from a native, long history of religious consciousness, which was later inherited by Taoists. These maozi were the continuation of the sacred buildings in ancient times, a special symbol of Taoism at that time. Buddhism spread in the middle of the middle soil. During the period, the foreign missionaries took the Taoist education model, while performing the miracles to attract the public, they also borrowed the shape of the Taoist architecture, which showed that when Buddhism exported ideology to the middle soil, he was also counteracted.
【作者单位】：复旦大学文史研究院;苏州大学艺术学院;
【分类号】：B958

【参考文献】