新世纪中国民族民间舞蹈（独舞）精品剧目创作研究

发布时间：2018-01-11 16:08

本文关键词：新世纪中国民族民间舞蹈（独舞）精品剧目创作研究　出处：《天津音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：本文从纵向的舞蹈流变历程和横向的艺术风格特征相结合的视角,采用作品实例与理论归纳相结合的研究方法,在已有资料的基础上,以新世纪中国民族民间舞独舞的精品剧目为中心,从笔者对剧目鉴赏体验为切入,对其进行创作特点与艺术风格分析,期望从中揭示并总结出新世纪以来的学院派民族民间独舞作品的成功经验、流变规律、总体特征及存在问题,以此对民族民间独舞的发展提供借鉴。本文共五个章节。第一章对中国民族民间舞蹈(独舞)创作的历史脉络进行概述,对新时期关于中国民族民间舞创作提出的新要求加以提炼总结。第二章与第三章分别对以山东秧歌、安徽花鼓灯、江西采茶及井陉拉花等汉族民间舞蹈及以“藏、蒙、维、朝、傣、苗、彝”为主的少数民族舞蹈中的独舞精品剧目进行分析,并对新世纪以来不同风格的民间舞蹈的创作特点进行小结。第四章在前三章的基础上,初步揭示了新世纪中国民族民间舞蹈有关独舞的创作特点流变,在创作视角方面出现了创作思想多元化、作品立意升华化、舞蹈情感复杂化、创作手法综合化等新变化,在表现手法方面出现了凝练化的表现形式、深层次的形象塑造、多样化的动作语汇和丰富性的舞台呈现等新特点。第五章进一步对本论点的今后发展提出进一步思考,解析民族民间舞蹈独舞创作中精品之作在各民族舞蹈中分布不均等现状,归纳总结出创作题材的多样化倾向,新技术手段在舞蹈中广泛运用的现象及对民族民间舞蹈本质属性的新理解等。
[Abstract]:The dance features from the changing process of horizontal and vertical style integration perspective, using the research methods of work examples and theory induction combined, based on existing data, in the new century Chinese folk dance solo boutique repertoire as the center, from the author of the drama appreciation experience as the breakthrough, analyzed the characteristics of creation with the artistic style of the expected success experience, from revealing and summed up the new century since the school folk solo work rheological law, and the problems of overall features, to provide reference for the development of ethnic folk dance. This paper consists of five chapters. The first chapter of the Chinese folk dance (solo) history the creation of context are summarized in the new period, new requirements on Chinese folk dance creation of refining. The second and third chapters respectively on Shandong yangko dance, Anhui drum Jiangxi and Jingxing tea lights, garlands and other Chinese folk dance and "Tibet, Mongolia, dimension, Dynasty, Dai, Miao, Yi ethnic dance" in solo quality productions were analyzed, and the different style of writing characteristics in the new century folk dance summary. The fourth chapter based on the first three chapters on the new century reveals the creative characteristics of folk dance on rheological China solo, in the creation of perspective created diversified thinking, work conception of emotional sublimation, dance complex, new changes of creative techniques such as general, the technique of expression appear manifestation of concise, deep image new features, movement vocabulary and richness of the stage presents diversification. The fifth chapter puts forward further thinking on the future development of this argument, excellent analytical folk dance solo creation of the people The uneven distribution of ethnic dances is summarized. The diversified tendency of creation themes, the widespread application of new technology in dance and the new understanding of the essential attributes of folk dance are summarized.

【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.2

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