土家族传统民间丧葬绘画的构图形式分析

发布时间：2018-01-28 19:16

本文关键词： 土家族丧葬绘画构图形式　出处：《重庆师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：土家族的民间美术,其中有一种是在现代社会中很少有人知晓的民间美术,这种民间美术在经济发达的城市中,很难见到,但是在某些偏远的农村中,大量盛行。就笔者田野考察中来看,这种民间美术,土家族传统民间丧葬绘画,它所使用范围通常出现在土家族的丧葬仪式中。土家族传统民间丧葬绘画是集中体现了土家族“万物有灵”的神灵信仰的绘画艺术,它也是土家族丧葬仪式与民族传统艺术相结合的产物。土家族传统民间丧葬绘画,一方面,反映了土家族“万物有灵”的神灵信仰,另一方面,与土家族传统丧葬文化的传承有着密切关系。土家族传统民间丧葬绘画作为一种土家族特有的民间美术,我们不能因为它运用在丧葬仪式中就一味地把它视为封建迷信,它承载了相当丰富的土家族人的意识形态。笔者试图从构图的角度去研究这种土家族的民间美术,文章认为,“万物有灵”的神灵信仰导致了土家族传统民间丧葬绘画中描绘的内容,笔者发现由于神灵的等级不同,尊卑不同,故在构图上出现了多种多样的形式。本论文以土家族传统民间丧葬绘画为研究对象,在查阅相关文献的基础之上,结合田野调查中收集的相关图片资料,重点对其构图形式进行分析研究。首先,分析土家族传统民间丧葬绘画的生存环境,从自然环境和社会环境这两大方面进行分析和论证。其次,对于不同构图形式的土家族传统民间丧葬绘画分别进行了较为深入地分析,对土家族传统民间丧葬绘画构图的形式特征进行了一定梳理,文章认为,这种土家族民间美术作品的构图的基本形式总共分为两大类:独立式构图和复合式构图。在复合式构图中具体包括了三角形式构图、散点式构图、分层式构图、中心圆式构图。文章在此基础之上,笔者分析总结出土家族传统民间丧葬绘画构图的基本法则,包括对称、均衡、对比、指向。接着,论述其构图的形式特征,分为构图饱满、散点透视、突出主神、善恶分明、阴阳相生。
[Abstract]:Tujia folk art, one of which is not known in the modern society, this folk art in economically developed cities, is very difficult to see, but in some remote rural areas. A large number of popular. From the author's field inspection, this kind of folk art, Tujia traditional folk funeral painting. The scope of its use usually appears in the Tujia funeral ceremony. Tujia traditional folk funeral painting is a concentrated embodiment of the Tujia "everything is animate" the spirit of the painting art. It is also a combination of Tujia funeral ceremony and traditional national art. Tujia traditional folk funeral painting, on the one hand, reflects the Tujia "everything is animate" spiritual belief, on the other hand. Tujia traditional funeral painting is a special folk art of Tujia nationality, which is closely related to the inheritance of Tujia traditional funeral culture. We cannot blindly regard it as a feudal superstition because it is used in funeral ceremonies. The author tries to study this kind of folk art of Tujia nationality from the angle of composition. The spiritual belief of "everything is alive" leads to the content described in Tujia traditional folk funeral painting. The author finds that due to the different levels of gods, the inferiority is different. Therefore, there are a variety of forms in the composition. This paper takes Tujia traditional folk funeral painting as the research object, on the basis of consulting the relevant literature, combined with the field survey of the collection of related pictures. Focus on the composition of the form of analysis. First, the analysis of Tujia traditional folk funeral painting living environment, from the natural environment and social environment to analyze and demonstrate. Secondly. On the Tujia traditional folk funeral painting of different forms of composition of a more in-depth analysis of the Tujia traditional folk funeral painting form characteristics of a certain sort, the article believes. The basic form of the composition of the Tujia folk art works is divided into two categories: independent composition and composite composition. In the composite composition, it includes triangular form composition, scattered point composition and stratified composition. On this basis, the author analyzes and summarizes the basic principles of traditional Tujia folk funeral painting composition, including symmetry, balance, contrast, direction. Then, discusses the formal characteristics of the composition. Divided into composition full, scattered perspective, prominent God, good and evil clear, Yin and Yang born.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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