悠游在边缘：瑙曼的新媒体艺术创作研究

发布时间：2018-02-08 22:14

本文关键词： 布鲁斯瑙曼新媒体艺术身体　出处：《北京服装学院》2017年硕士论文　论文类型：学位论文

【摘要】：二十世纪艺术创作新媒介的兴起,使传统的造型艺术类型平添了更丰富的创作载体与生态体系。生活所见的日常之物亦被引入到艺术家的视域之内,从关注的边缘日益成为焦点,并逐渐成为部分艺术家的最佳表达工具。在国际当代艺术领域,二十世纪七十年代早期成名的布鲁斯!瑙曼(Bruce Nauman,1941-)是一位富有创意的激进艺术家。创作了很多开放式作品,在玻璃纤维雕塑、抽象的身体翻铸品、行为表演、霓虹灯浮雕、电影、音乐、录像、互动式环境等媒材方面均有涉猎。作为观念艺术的开路先锋和代表人物之一,瑙曼试图将原来的艺术传统和创作方法继续向纵深领域拓展,聚焦于观者与艺术作品的互动性,让生活与艺术的界限模糊化,其艺术观念与创作方法,对后来的新媒体艺术家都产生了重要影响。因此,本文以瑙曼美国著名新媒体艺术家为研究对象,结合历史性叙事发展脉络,深入探讨其创作渊源、作品类型、风格旨趣,以及身体为媒介工具传达的内在意涵,旨在以个案研究的方式对西方具有代表性的新媒体艺术家进行整体研究。
[Abstract]:In 20th century, with the rise of new media for artistic creation, the traditional plastic arts have added more abundant creative carriers and ecological systems. The daily things seen in life have also been introduced into the horizon of artists. From the edge of attention to increasingly become the focus, and gradually become part of the artist's best means of expression. In the international contemporary art field, early 1970s famous Bruce! Bruce Naumann (1941-1941) is a creative and radical artist who has created a lot of open works in fiberglass sculptures, abstract body casting, performance performances, neon relief, movies, music, videos, As one of the pioneers and representatives of conceptual art, Naumann tried to expand his original artistic tradition and creative methods into a deep field, focusing on the interaction between the viewer and the works of art. In order to blur the boundary between life and art, the artistic concepts and creative methods have exerted an important influence on the later new media artists. Therefore, this paper takes Naumann famous American new media artists as the research object. In combination with the historical narrative development, this paper probes into the origin of its creation, the types of works, the style purport, and the inherent meaning conveyed by the body as a media tool. The purpose of this paper is to study the representative new media artists in the West by case study.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J05

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