角色造型的荒诞性审美

发布时间：2018-04-18 16:27

本文选题：动画艺术 + 角色造型　；参考：《中央美术学院》2017年硕士论文

【摘要】：角色造型是动画创作的重要组成部分,它既是内容演绎的主体,又是表现形式的载体,是一部作品形式、风格和审美的集中体现。作为高度假定和虚幻的审美意象,角色造型曲折地反映客观现实。审美范畴的荒诞是近代社会文化下的产物,它是以审美的方式对现实中的荒诞人生实践进行着批判和反思,它最早出现于西方现代艺术中的一个戏剧流派,随后又以不同的表现形式蔓延到各个艺术门类。而动画承接和表现荒诞的一个重要方面就是角色造型。荒诞的角色造型在表现形式和表现手法上都有别于普通的角色造型,它集中体现了角色造型荒诞性的审美特征,它由特定的根源产生并且具有独特的审美价值。本文将从荒诞角色造型的视觉表现入手,结合具体实例分析、总结和归纳它的表现特征和表现方法,并对其审美价值作出分析和判断。最后分别从超越现实、自由意志和异化三个角度对其产生的根源展开探究。
[Abstract]:Character modeling is an important part of animation creation. It is not only the main body of content deduction, but also the carrier of form of expression. It is a concentrated embodiment of form, style and aesthetics of a work.As a highly hypothetical and illusory aesthetic image, role modeling reflects objective reality zigzagging.The absurdity of aesthetic category is the product of modern society and culture. It criticizes and reflects on the absurd life practice in reality in an aesthetic way. It first appeared in a drama school in modern western art.And then with different forms of expression spread to the various categories of art.One of the most important aspects of animation is character modeling.The absurd character modeling is different from the common character modeling in the expression form and the expression technique. It embodies the absurd aesthetic characteristic of the role modeling, it is produced by the specific root and has the unique esthetic value.This article will start with the visual expression of the absurd role modeling, combining with the concrete example analysis, summarizes and induces its performance characteristic and the expression method, and makes the analysis and the judgment to its esthetic value.Finally, the origin of surmounting reality, free will and alienation are explored.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

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