黔东南苗族鼓藏节禁忌语研究

发布时间：2018-05-18 20:33

本文选题：黔东南苗族 + 鼓藏节　；参考：《贵州民族大学》2017年硕士论文

【摘要】：禁忌做为以信仰为核心的心理民俗,是人类普遍具有的一种文化现象,它凝结着人类原本的心理、愿望和幻想,反映着社会的物质文化与精神文化水平以及民族、时代的精神文化指向,当禁忌心理以语言的形式表现出来以后,此时的语言便获得了一种精神象征的作用,因为禁忌存在于世界上的已知的各种文化之中,指的是社会力避讳的某些行为、事物的关系,表达这些内容的词语便是禁忌语。本文分成四章,第一章主要对选题的目的和意义、禁忌语的研究现状、禁忌和禁忌语的相关概念进行概述,并对文章所采用的研究思路、研究方法及语料来源进行说明。第二章中对苗族鼓藏节的起源、内容、调查到的禁忌语料进行了具体概述。第三章在结合前人给禁忌语做出分类的基础上,提出了新的分类方法和其理论依据,并讨论了禁忌语的相关规避表达。第四章对苗族鼓藏节禁忌语的进行较为深入的文化内涵分析。本文运用文化语言学、人类学、民俗学的相关理论对苗族鼓藏节禁忌语进行归类分析,得出的结论是:禁忌语言是禁忌文化的重要组成部分,苗族鼓藏节禁忌语正是其民族独特的文化观念、思维方式的体现,是其文化意识的载体。我们可以透过苗族鼓藏节禁忌语的表象窥测出它所蕴含的丰富而独特的民族禁忌文化。对苗族鼓藏节禁忌语及其文化内涵所做的研究,在一定程度上可以丰富苗族禁忌语的研究内容,并且能为苗族语言文化研究起到抛砖引玉的作用。
[Abstract]:Taboo, as a psychological folklore with faith as the core, is a universal cultural phenomenon of human beings. It condenses the original psychology, wishes and illusions of human beings, and reflects the level of material culture, spirit and culture of society as well as the nation. The spiritual and cultural orientation of the times, when taboo psychology is expressed in the form of language, the language of this time has acquired the function of a spiritual symbol, because taboos exist in all kinds of cultures known to be in the world. Refers to the social force taboo certain behavior, the thing relations, the expression of these contents words are taboo words. This paper is divided into four chapters. The first chapter mainly introduces the purpose and significance of the topic, the research status of taboo, the related concepts of taboo and taboo, and explains the research ideas, research methods and sources of corpus. In the second chapter, the origin, content and taboo data of the Miao Drum Festival are summarized. The third chapter proposes a new classification method and its theoretical basis based on the previous classification of taboo words and discusses the relevant circumvention expressions of taboo words. Chapter four analyzes the cultural connotations of the taboo words of the Miao nationality. Based on the relevant theories of cultural linguistics, anthropology and folklore, this paper classifies and analyzes the taboo words of the Hmong nationality, and draws the conclusion that the taboo language is an important part of the taboo culture. The taboo language of the Miao Drum Festival is the embodiment of its unique cultural concept and mode of thinking, and is the carrier of its cultural consciousness. We can find out the rich and unique national taboo culture through the appearance of the taboo words of the Hmong Drum Festival. To some extent, the study on the taboo language and its cultural connotation can enrich the research content of the taboo language of the Miao nationality, and can play an important role in the study of the language and culture of the Miao nationality.
【学位授予单位】：贵州民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H216

【参考文献】