从“汤婆婆”看动画角色的多重指涉与虚拟人格重塑

发布时间：2018-01-06 06:33

  本文关键词：从“汤婆婆”看动画角色的多重指涉与虚拟人格重塑　出处：《当代电影》2017年08期 　论文类型：期刊论文

  更多相关文章： 动画虚拟人格 童话心理学 汤婆婆

【摘要】：一直以来,动画电影都承继了经典童话的角色类型与高度象征性的形象阐述系统。然而,随着经典动画的消解,既往那些单线的、浅层的角色人格样式面临拆解与重构。当代动画在角色塑造上包含了更为深沉的自我批评与主体自省的意义。"汤婆婆"是处于动画艺术转型阶段的代表作《千与千寻》中的典型角色,她集中表现了当代动画对于经典童话角色的回望与改写。本文以她为例,从原型批评与童话心理学两个维度,以"心理学原型—文本原型—角色虚拟人格建构"的思路,分别讨论该角色与女巫、钱婆婆之间的自我指涉,以及由此而产生的关于母亲原型的深层隐喻。研究动画虚拟人格的建构机制,是对动画电影中失落的原作心理与文脉来源的观照,也是对原型理论在动画美学研究上的作用重读与跨边界尝试。
[Abstract]:All along, the animated films have inherited the characters of the classic fairy tales and the highly symbolic image description system. However, with the elimination of the classic animation, the previous single-line. The superficial character personality style is facing disassembly and reconstruction. Contemporary animation contains deeper self-criticism and subjective introspection in character shaping. "Mrs. Tang" Is in the animation art transition stage representative work "thousand and thousand fathom" in the typical character. She focuses on the reflection and rewriting of contemporary animation on the characters of classic fairy tales. This paper takes her as an example from two dimensions of archetypal criticism and fairy tale psychology. Based on the idea of "psychological archetypal-textual archetypal-role fictitious personality construction", this paper discusses the self-referential relationship between the character and witches and mother-in-law Qian. The study of the construction mechanism of animation virtual personality is the reflection of the lost original psychology and the origin of context in the animation film. It is also a rereading of the role of archetypal theory in animation aesthetics research and a cross-boundary attempt.
【作者单位】： 四川大学艺术学院;
【基金】：四川大学青年教师科研启动基金项目(项目编号:0082704132185)的阶段性研究成果
【分类号】：J954
【正文快照】： 作为象征艺术的重要形式之一,动画与童话的关联早在动画出生之时就已经建立。童话是动画的重要题材来源之一;它所采用的儿童视点与讲述方式至今仍是动画主要的故事讲述范式之一;动画与童话都是利用独特的,具有高度隐喻性的形象系统来阐述哲理性内涵。20世纪的动画电影曾经成功，

本文编号：1386722