山西题材影视剧的美学特征研究

发布时间：2018-01-07 08:34

本文关键词：山西题材影视剧的美学特征研究　出处：《山西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：近年来，地方题材影视剧的创作逐渐呈现出繁荣的态势，不同地域的影视作品在银屏上争相斗艳，带给大众不同的审美感受。其中，山西题材影视剧也凭借自身的优势在数量和质量上取得了新的突破。特别是新世纪以来，一批山西题材影视作品的热播在全国范围内掀起了“山西文化热”。《小武》《站台》《乔家大院》《走西口》《喜耕田的故事》《八路军》《吕梁英雄传》《亮剑》《白银帝国》等等，一系列优秀的作品重新打响了“山西题材”的名号，赢得了大众的欢迎，并在影视文化、地域文化和民族文化的建设中贡献出自己的力量。这也是研究山西题材影视剧美学特征的前提和条件。就笔者目前搜集的资料来看，学术界关于山西题材影视剧的研究虽然早有涉猎，但多为散见的论文。从研究对象来看，学者的研究多集中在某一领域，有的以某一部作品为主，有的以同一类型题材作品为主，或涉及电视剧方面，或涉及电影方面；从研究角度来看，多集中在对作品内容、人物形象、艺术风格、文化精神内涵等方面的解读，或是影视产业、文化产业、旅游业等其他方面的延伸拓展。因此，从美学视角对山西题材影视剧进行系统、全面的研究仍处于空白状态。山西独特的地域性决定了其影视作品表现形式的特定性和多样性，通过对其美学特征的分析，我们可以更直观地把握山西特色文化。本文通过对山西题材影视剧美学风格及审美价值的研究，，结合政治、经济、社会、文化等多方面因素，探讨山西题材影视剧的美学意义和文化意义，并反思其存在的问题。由此分析地方题材影视剧在中国影视剧发展中的作用，以期为山西地方文化建设和中国影视文化建设提供一定的参考价值。含引言全文共分四个部分进行论述。引言部分主要交代了本论文的研究意义及研究范围，整理了国内外相关的研究资料，说明论文的研究框架及创新点。正文分为三部分。第一部分为本论文的主体部分，主要论述山西题材影视剧的美学特征：首先，梳理山西题材影视剧的发展脉络,从20世纪20年代末年电影传入山西到新世纪以来的山西题材影视剧创作。同时以文化学分类的标准将山西题材影视剧划分为晋商题材、农村题材、抗战题材以及其他题材系列。其次，论述山西题材影视剧的“主旋律”的叙事主题及其审美表现。最后，从画面和镜头、色彩、声音等方面探讨其艺术形式上的美学特征。第二部分指出山西题材影视剧存在的不足：部分作品对山西本土地域文化的体现不够充分；人物刻画不够典型；作品的政治性与艺术性失衡等。第三部分主要分析地方题材影视剧在中国影视剧发展中的作用。通过对山西题材影视剧美学特征的研究，笔者发现地方题材影视剧在丰富中国影视剧题材类型，满足大众审美需求，打造中国影视剧的民族特色和民族风格等方面扮演着不可或缺的角色。
[Abstract]:In recent years, the creation of local film and television drama gradually presents a prosperous situation, different regions of film and television works on the screen competing for each other, to bring different aesthetic feelings of the public. Shanxi theme movies and TV plays have also made new breakthroughs in quantity and quality, especially in the new century. The popularity of a batch of film and television works of Shanxi has set off a "Shanxi cultural craze" throughout the country. < Xiao Wu > < platform > < Qiaojia Courtyard > < walking Xikou > < the story of the happy tilling field > < eighth Route Army > < Lv Liang heroic biography > < Liang Jian > < Silver Empire] and so on. A series of excellent works re-established the name of "Shanxi theme", won the popularity of the public, and in the film and television culture. Regional culture and national culture contribute their own strength, which is also the premise and condition of studying the aesthetic characteristics of Shanxi films and TV dramas. According to the data collected by the author, although the academic research on Shanxi film and television drama has long been dabbled in, most of them are scattered papers. From the point of view of the object of study, the research of scholars is mostly concentrated in a certain field. Some are based on a certain work, some are mainly about the same subject matter, or related to the TV series, or the film; From the point of view of research, it focuses on the interpretation of the content of the work, the image of the characters, the artistic style, the connotation of the cultural spirit, or the extension of the film and television industry, the cultural industry, the tourism industry and so on. From the aesthetic perspective of Shanxi film and television drama system, the overall study is still in a blank state. Shanxi's unique regional nature determines the specific form and diversity of its film and television works. Through the analysis of its aesthetic characteristics, we can grasp the characteristics of Shanxi culture more intuitively. Through the study of the aesthetic style and aesthetic value of Shanxi film and television drama, combined with politics, economy, society. This paper discusses the aesthetic and cultural significance of Shanxi film and television drama, and reflects on its existing problems, so as to analyze the role of local film and television drama in the development of Chinese film and television drama. In order to provide some reference value for the construction of Shanxi local culture and Chinese film and television culture, the full text of the introduction is divided into four parts. The introduction mainly explains the research significance and scope of this paper, collates the relevant research materials at home and abroad, and explains the research framework and innovation of the paper. The text is divided into three parts. The first part is the main part of this paper, mainly discusses the aesthetic characteristics of Shanxi film and television drama: First of all, combing the development of Shanxi theme film and television drama. From the end of 1920s, the film was introduced into Shanxi Province to the new century, Shanxi theme film and television drama creation. At the same time, Shanxi theme film and television drama is divided into Shanxi business theme and rural theme by the standard of cultural classification. Second, it discusses the narrative theme and aesthetic performance of the theme of Shanxi theme film and television drama. Finally, from the picture and lens, color. This paper discusses the aesthetic characteristics of its artistic form from the aspects of sound and so on. The second part points out the shortcomings of Shanxi film and television drama: part of the works of the local local culture of Shanxi is not fully reflected; the portrayal of characters is not typical; the work of political and artistic imbalance and so on. The third part mainly analyzes the role of local film and television drama in the development of Chinese film and television drama. Through the study of Shanxi theme film and television drama aesthetic characteristics. The author finds that local films and TV dramas play an indispensable role in enriching the genre of Chinese films and TV dramas, satisfying the aesthetic needs of the masses and creating the national characteristics and national styles of Chinese films and TV dramas.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J901

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