新世纪以来中国古装历史题材电影的后现代表征研究

发布时间：2018-01-07 21:19

本文关键词：新世纪以来中国古装历史题材电影的后现代表征研究　出处：《吉林大学》2014年硕士论文　论文类型：学位论文

【摘要】：电影是以影像为基础与核心的艺术，影像可以留下一段历史，同时也可以创造一段历史，电影与历史的关系就是如此微妙。电影从来都不是一门单纯的艺术，在20世纪社会的发展中电影发挥了巨大作用，其影响力渗透到政治、军事等众多领域。电影的成长也是一部时代的发展史，电影见证了一段社会历史的风貌，见证了一个国家的兴衰荣辱，见证了一代人的集体记忆，电影这一艺术形式记录了历史，为后人留下宝贵的资料，同时也改变着现实中的我们。中国文化讲究“以古鉴今，以古喻今”，虽然当代中国与古代中国社会形态已大不相同，但一脉相承的文化仍旧是中华民族的根本，我们仍然能从历史中得到启示获取智慧，也因此，，古装历史题材电影不管是承载着娱乐的功能还是肩负着教化的重任都非常值得我们去探索和研究。上世纪六十年代西方出现的后现代主义思潮在今日全球化的背景下已经渗透进我国文化的各个领域，在电影理论研究中后现代主义也是重要理论之一。在后现代主义语境下，中国古装历史题材电影作为中国主流电影和商业电影的一种重要类型，所体现出的具有时代化的特征很值得研究，比如颠覆和反抗的精神、多元化的追求、消费主义、历史感的消失等等。对此类电影今后的发展道路甚至对于中国主流商业电影今后的趋向都有着重要的意义。本文旨在研究中国古装历史题材电影在新世纪这个大背景下，在改革开放对外交流日益加深的大环境下，在西方文化与电影理论的冲击下，在好莱坞进口大片制造的压力下，在后现代文化语境下所展现出的表征。本文第一章以电影与历史的关系为切入点，进行简单的有关电影本性的研究；第二章简述中国古装历史题材电影的基本状况，包括界定、发展脉络和新世纪以来此类电影流行的原因；本文的重点章节是第三章和第四章，第三章以后现代主义文化研究为基础，研究此类影片的意识形态、叙事观念、英雄主义的转变、电影的功能、文化传承等方面所展现出的后现代特征；第四章研究后现代语境下此类电影的美学特征，一是在视觉风格方面展现出视觉本位和超现实的美学倾向，二是在类型性方面表现出多种类型元素杂糅的特点，三是在人物塑造方面对传统历史人物或经典人物的颠覆，四是在意义的深度方面表现出的平面化。
[Abstract]:Film is based on the image and the core of the art, video can leave a section of history, but also can create a history, the relationship between film and history is so delicate. Film has never been a pure art. In 20th century, the development of the society played a great role in the film, its influence penetrated into the political, military and many other fields. The growth of the film is also the history of the development of the era, the film witnessed a period of social history. Witnessed the rise and fall of a country, witnessed the collective memory of a generation, the art form of film recorded history, leaving valuable information for future generations. At the same time, it also changes us in reality. Chinese culture pays attention to "learning from the past and now, referring to the past and the present", although the social formation of contemporary China and ancient China has been greatly different. But the same culture is still the root of the Chinese nation, we can still get wisdom from history, and therefore. Whether it is the function of entertainment or the important task of enlightenment, it is worth our exploration and research. In -40s, the post-modernism trend of thought appeared in the West has penetrated into every field of Chinese culture under the background of globalization today. Post-modernism is also one of the important theories in the study of film theory. In the context of post-modernism, the Chinese antiquated historical film is an important type of Chinese mainstream film and commercial film. The characteristics embodied by the times are worth studying, such as the spirit of subversion and resistance, the pursuit of pluralism, and consumerism. The disappearance of the sense of history is of great significance to the future development of this kind of films, even to the future trend of the mainstream commercial movies in China. The purpose of this paper is to study the historical theme of ancient Chinese films under the background of the new century, under the background of the deepening exchanges with the outside world, under the impact of western culture and film theory. Under the pressure of Hollywood's production of imported blockbusters and in the context of post-modern culture, the first chapter of this paper focuses on the relationship between film and history, and makes a brief study on the nature of film; The second chapter briefly describes the basic situation of Chinese ancient costume historical films, including the definition, the development of the context and the reasons for the popularity of such films since the new century; The main chapters of this paper are the third and 4th chapters, the third chapter studies the ideology, the narrative concept, the heroism transformation and the function of the film on the basis of the post-modernism culture research. Cultural inheritance and other aspects of the post-modern characteristics; Chapter 4th studies the aesthetic characteristics of this kind of films in the post-modern context. One is to show the visual standard and surreal aesthetic tendency in the visual style, the other is to show the characteristics of various types of elements in the genre. The third is the subversion of traditional historical characters or classical characters in the aspect of character shaping, and the fourth is the flatness of the depth of meaning.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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