赵宝刚都市题材电视剧中社会性别嬗变研究
发布时间:2018-01-09 04:15
本文关键词:赵宝刚都市题材电视剧中社会性别嬗变研究 出处:《南京师范大学》2014年硕士论文 论文类型:学位论文
更多相关文章: 都市题材电视剧 社会性别 双性化 嬗变 文化自觉
【摘要】:都市题材电视剧是我国电视剧的主要类型之一,剧中的两性形象和两性关系既是社会生活中性别分工和性别关系的写照,同时也反过来对性别文化产生着深刻的影响。本文以赵宝刚都市题材电视剧中人物的社会性别特征为切入点,从发展过程中性别气质、两性关系不断变化的现象开始,对赵剧中人物的社会性别嬗变及背后变化的原因和意义做了进一步地分析。 本文运用定量分析与定性分析相结合的方法论证赵宝刚都市题材电视剧发展过程中人物社会性别的变化,结合电视艺术学、社会性别理论、女性主义、社会文化学的相关理论,在分析电视剧文本的基础上考察剧中人物社会性别的变化所产生的意义,并从社会政治、经济、文化三个维度分析了社会性别嬗变的原因。 通过对赵宝刚导演的14部都市题材电视剧中人物的社会性别进行分析,本文发现剧中人物的社会性别存在两方面的变化,在性别气质方面:人物的双性化气质增强,单性化气质式微;在性别角色方面:主从模式被新型平等、合作的两性关系所替代。这些变化不仅是受社会文化的影响,也是都市题材电视剧自身创新的内在要求。本文认为赵宝刚都市题材电视剧为受众提供了一个审视性别气质特征的窗口,且剧中所呈现的两性关系会产生一定的引导和示范作用,对受众的性别意识和价值取向具有潜移默化的影响。一方面,都市题材电视剧中人物的双性化趋势批判了传统性别制度中二元对立的性别区分,使人的个性更加丰满和完整;另一方面,剧中也存在对性别刻板印象的呈现、对传统不良性别规范的因循,这是需要改进的。因此,本文认为创作者在艺术创新的同时应当秉承文化自觉的理念,通过塑造具有主体性的人物形象、平等的两性关系来建构健康的性别文化。
[Abstract]:Urban TV series is one of the main types of TV dramas in China. The gender image and gender relationship are the portrayal of gender division of labor and gender relations in social life. At the same time, it also has a profound impact on the gender culture. This article takes the social gender characteristics of Zhao Baogang city TV series as the breakthrough point, from the development process of gender temperament. The changing phenomenon of the relationship between men and women begins with the further analysis of the social gender change of the characters in Zhao opera and the reasons and significance of the change behind it. This paper uses the method of quantitative analysis and qualitative analysis to demonstrate the changes of social gender in the development of Zhao Baogang city TV series, combined with television art, social gender theory, feminism. On the basis of analyzing the text of TV series, the relevant theory of social culture studies the significance of the change of gender in the characters of the play, and from the perspective of social politics and economy. The three dimensions of culture analyze the causes of gender change. Through the analysis of the gender of the characters in 14 urban TV dramas directed by Zhao Baogang, this paper finds that there are two changes in the gender of the characters in the drama. In the aspect of gender temperament: the character's androgyny temperament strengthens, the single sex temperament declines; In terms of gender roles: the master-slave model was replaced by a new type of equal, cooperative gender relationship. These changes are not only influenced by sociocultural factors. It is also the inherent requirement of the innovation of urban TV series. This paper thinks that Zhao Baogang urban TV series provides a window to the audience to examine the characteristics of gender temperament. And the gender relationship presented in the play will have a certain role of guidance and demonstration, and will have a subtle impact on the audience's gender awareness and value orientation. On the one hand. The trend of bisexuality of characters in urban TV dramas criticizes the dualistic gender division in the traditional gender system, which makes people's personality more full and complete. On the other hand, there is also a gender stereotype of the presentation of traditional unhealthy gender norms, which need to be improved. This paper holds that the creators should carry on the idea of cultural consciousness while innovating in art, and construct a healthy gender culture by shaping the character image with subjectivity and the equal relationship between the two sexes.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905
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