从《功夫熊猫》《兔侠传奇》看中美动画创作观念的差异

发布时间：2018-01-09 04:19

本文关键词：从《功夫熊猫》《兔侠传奇》看中美动画创作观念的差异　出处：《渤海大学》2014年硕士论文　论文类型：学位论文

【摘要】：论文从关注中、美两个动画生产消费大国近年来的两部相同类型片《功夫熊猫》、《兔侠传奇》的题材与作品风格着手，以两国动画的创作观念为主要研究视点，对这两部剧作进行了深入和具体分析，阐述创作观念在动画作品中的重要作用。在当前中西方文化竞争、交流、互融、共存的现实中，西方正将改变文化表现形式的注意力向东方转移；21世纪东西方都试图找到各自文化内涵和表达方式能相互融合的新途径。1998年美国首次运用中国背景和文化元素创作了动画片《花木兰》。十年之后的2011年，美国再次出品了具有浓郁中国风的《功夫熊猫》，给中国动画带来不可忽视的挑战。两国创作观念差异的种种表现为本文论述重点，论文共分为四个部分。第一部分主要是对创作观念的界定以及与题材选择的相互关系。第二部分是对两部影片的解析，以此更深刻的剖析作品的创作观念。第三部分是论文的重点论述，从两部影片中的差异性来分析两国在创作过程中存在着各不相同的特点。第四部分是阐述中美两国创作观念存在差异的原因，，主要从历史、政治因素；民族化以及社会观念的影响进行解析。两国之间不同的文化历史背景和所尊崇的价值观念，直接反射出创作观念的巨大差异。以此对于中国的动画现状做出反思。
[Abstract]:This paper focuses on the theme and style of the two similar films "Kung Fu Panda" and "Rabbit Warrior Legend" in the two major animation production and consumption countries in the United States in recent years. From the viewpoint of animation creation in the two countries, this paper makes a deep and concrete analysis of the two plays, and expounds the important role of the creative concepts in the animation works. In the current reality of cultural competition, communication, mutual integration and coexistence between China and the West, the West is shifting its attention to changing the form of cultural expression to the east; In 21th century, both the East and the West tried to find a new way to integrate their cultural connotations and expressions. In 1998, the United States used Chinese background and cultural elements for the first time to create the animated film Hua Mulan. Ten years later, 2011. Once again, the United States produced Kung Fu Panda, which has a strong Chinese style, which brings the challenge that can not be ignored in Chinese animation. The differences in creative concepts between the two countries are the key points of this paper. The paper is divided into four parts. The first part is the definition of creative concepts and the relationship with the choice of themes. The second part is the analysis of the two films. The third part is the focus of the thesis. From the differences in the two films to analyze the two countries in the process of creative existence of different characteristics. Part 4th is to explain the differences in the creative concepts between China and the United States, mainly from the historical, political factors; Nationalization and the influence of social concepts are analyzed. The cultural and historical backgrounds and values respected by the two countries are different. Direct reflection of the great differences in creative ideas, in order to reflect on the current situation of animation in China.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954

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