日伪电影报刊研究及其“满映”宣传（1937-1945）

发布时间：2018-01-09 11:37

本文关键词：日伪电影报刊研究及其“满映”宣传（1937-1945）　出处：《中国电影艺术研究中心》2014年硕士论文　论文类型：学位论文

【摘要】：本文主要通过查阅《满洲映画》、《电影画报》、《电影报》、《华北映画》、《新影坛》、《华影周刊》六种分别出版于伪满、北平、上海三地,受控于各出版地日伪电影机构(“满映”、‘‘华电”、“中联”[华影])的电影类报刊,分析各报刊中呈现的日伪电影机构宣传风格,综索各报刊中涉及的“满映”(“株式会社满洲映画”)的有关报道文本,对比同时期三地颇有影响力的报刊杂志(如伪满的《大同报》、《康德新闻》；北平的《新民报》；上海《上海影坛》)中电影类报道的要点新闻与主要观点,从多重维度展示1937年至1945年间日伪电影机构控制下的对话“满映,,宣传的原始状态,同时试图甄辨三地在涉“满映”新闻的报道中呈现出差异性的内因与外因。研究结果表明：就伪满、华北、上海三地区各自的“满映”整体性形象而言,上述报刊中“满映”的宣传的确发挥出了强大的舆论引导效果,甚至突破地域限制,实现宣传与信息共享。同时三地各报刊均对其他两地如何评判本地电影保持着长期地关注。然而,这种舆论引导的效力并非是独断的,也没有形成真正意义上的舆论霸权,本地区其他媒体的“满映”评论与观众口碑始终是各地“满映”印象最终确立的重要来源。“满映”电影于三地间的放映数量、放映方式、放映时机以及观众对影片的认识与接受时的具体状况是导致三地“满映”印象呈现出差异性的重要原因,这种差异性通过编读互动、电影评论以及访谈座谈等多重手段,传递回各日伪控制下的各电影机构,反作用于三地各刊物日常的“满映”宣传之中,使得伪满、北平、上海三地六种报刊中的“满映”宣传不断与此相呼应。这种自我宣传与外界认定的集合,最终塑造并强化了伪满、北平、上海三地日伪电影机构控制下的“满映”宣传所营造出的“满映”形象。本论文的写作旨在为后续的“满映”研究做出一些必要的资料性的积累。资料的获取程度从根本上决定着“满映”宣传研究这一研究课题的进展与深入程度。随着近几年多种汇编型中国电影史料文献资料的出版,“满映”研究的资料荒得到了一定程度的缓解。相信在不久的将来,随着更多与“满映”相关的出版物甚至于影像资料的不断现世,“满映”研究的深度与广度都将会有所拓展。
[Abstract]:This paper mainly through the Manchuria film < >, < < > cinema, film news >, < < New > North China film, the film < >, > six respectively Huaying weekly published in Manchuria, Beijing, Shanghai three, controlled by the Japanese Publishing film Agency ("man Ying", "Huadian", "joint" []) Chinese shadow film press, analysis of the propaganda style puppet film institutions showing the newspapers, in cable man Ying involved "in the newspapers" ("Manchuria film") reports text, compared three influential newspapers and magazines (such as pseudo full the < Datong Newspaper >, < > < Kant news; Peking Xinmin Shanghai Shanghai cinema > >; <) points and main points in the movie news reports, from 1937 to 1945 the Japanese film agency under the control of the dialogue "full Ying, from the multiple dimensions of display, publicity of the original state, trying to Biansan Zhen involved in" full at the same time The reports of the news show the internal and external causes of the business travel.
The results show that: the north, Shanghai area three, their "full reflecting" overall image of the newspaper, "full Ying" propaganda indeed played a strong public opinion guiding effect, and even break the regional limit, realize the sharing of information and propaganda. At the same time, newspapers and three places are on how to judge the other two the local film maintained long-term attention. However, this effect is not the public opinion guidance is arbitrary, but also no real sense of public opinion in other media hegemony, the "man Ying" comments and audience reputation has always been an important source of world of "man Ying" impression finally established. "Man Ying" movie in three between the number of screenings, screening, screening time and the specific situation of the film and the audience know when receiving is the result of three "full Ying" impression showed an important reason of the opposite sex, this difference. Have read interactive movie reviews and interviews on multiple means to transfer back to the Japanese under the control of the reaction in the three film, the daily publication "full reflects" propaganda, making the six kinds of newspapers, Beijing, Shanghai and three in the "full Ying" propaganda constantly in concert with this phase. This set of self promotion with the outside world that the final shape and enhance Manchuria, Beijing, Shanghai and the three Japanese film agency under the control of the "man Ying" propaganda to create a "full Ying" image.
This thesis aims to further study "man Ying" to make the necessary data accumulation. Degree of access to information fundamentally determines the progress of "full Ying" publicity on this research and depth. In recent years, a variety of assembly type Chinese historical movie literature publishing. "Full Ying" research data shortage eased to a certain degree. I believe that in the near future, with the continuous life more associated with the "full mapping of the publications and image data, the depth and breadth of the full mapping will have to expand.

【学位授予单位】：中国电影艺术研究中心
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.2

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