21世纪初台湾电影中主要国家和地区的银幕形象研究

发布时间：2018-01-13 21:10

本文关键词：21世纪初台湾电影中主要国家和地区的银幕形象研究　出处：《南京师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：在历史和现实层面,台湾与祖国大陆、日本、美国都有着千丝万缕的联系。电影是与现实联系密切的艺术样式,岛外国家和地区的形象是台湾电影无法避开的问题。台湾电影的影像化叙事与社会现实之间形成了“互文”关系,台湾电影对岛外国家和地区形象的塑造亦是台湾社会集体心理的体现。台湾电影对岛外国家和地区形象的塑造在不同历史阶段呈现出不同的样态。21世纪初期,台湾蓝绿政权交替,伴随着社会、政治、经济、文化等诸领域发生的一系列变化,这一时期台湾电影在岛外国家和地区银幕形象的塑造上也呈现出新的样态和内涵。论文以21世纪初期的台湾社会、政治、经济、文化等诸方面的变化和台湾电影创作实践为背景,探讨台湾电影中主要国家和地区银幕形象的塑造。论文共分为三章,第一章从新世纪初期的台湾局势出发,通过影像分析和概念疏离出中国大陆、日本、美国三方银幕形象的呈现方式；第二章通过对人物塑造、内容选择与情节营构、电影时空的设置三个方面的剖析总结出岛外国家和地区形象塑造的叙事策略；第三章从台湾电影身份认同和后现代视域中的历史消费两个层面,分析出新世纪初期台湾电影岛外国家和地区形象塑造的文化指向。
[Abstract]:On the historical and realistic level, Taiwan has inextricable ties with the mainland, Japan and the United States. Film is an art style closely related to reality. The image of countries and regions outside the island is an unavoidable problem for Taiwanese films. The "intertextuality" relationship between the image narration of Taiwan films and the social reality has been formed. The portrayal of the image of the foreign country and region by Taiwan film is also the embodiment of the collective psychology of Taiwan. The portrayal of the image of the country and region outside the island by Taiwan film shows different patterns in different historical stages. . The change of blue-green regime in Taiwan was accompanied by a series of changes in social, political, economic, cultural and other fields. During this period, Taiwan films also showed new forms and connotations in the creation of screen images in countries and regions outside the island. The thesis is based on the social, political, economic and cultural changes in the beginning of 21th century and the Taiwan film creation practice. The thesis is divided into three chapters. The first chapter starts from the situation of Taiwan in the beginning of the new century and leaves China and Japan through image analysis and concept. The presentation of the three-way screen image of the United States; The second chapter summarizes the narrative strategies of the image shaping of the countries and regions outside the island through the analysis of the characters, the content selection and the plot construction, and the setting of the film time and space. The third chapter analyzes the cultural orientation of the image of Taiwan film countries and regions outside Taiwan at the beginning of the new century from the two aspects of historical consumption in the Taiwan film identity and postmodernism.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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