论“电影指涉”:一次电影现象研究

发布时间：2018-01-14 01:08

本文关键词：论“电影指涉”:一次电影现象研究　出处：《北京电影学院学报》2017年02期 　论文类型：期刊论文

【摘要】：“电影指涉”是近年各国电影尤其是商业电影中经常出现而又容易被理论界忽视的现象,指的是一部影片对其他影片不同程度的模仿,或称为“戏仿”、“致敬”。“电影指涉”在理论研究中被长期解读为后现代文化的一种视觉范式,是后现代文化“缺乏创造性”的一个典型例证,对该现象的评价也集中于负面。如果离开“后现代”论域而关注“电影指涉”本身,则上述认识显然是片面的。本文从电影类型学、电影符号学、电影美学等理论视角出发,对“电影指涉”进行一次多维的、辩证的解析。本文通过对该现象进行理论界定,在电影史轴线上回溯其产生语境,在符号学层面论证其必然性与可行性,并在电影接受环节阐释“电影指涉”的独占性趣味和文化表征,将这个本就属于电影的现象带回电影理论研究的论域。
[Abstract]:"Film refers to involvement" is a phenomenon frequently appeared in recent years, especially in commercial films, which is easily ignored by the theorists. It refers to a film's imitation of other films to varying degrees, or "parody". "homage". "Film refers to" has long been interpreted as a visual paradigm of post-modern culture in theoretical research, which is a typical example of "lack of creativity" in post-modern culture. The evaluation of this phenomenon is also focused on the negative. If we leave the field of "postmodernism" and pay attention to the "film refers to" itself, then the above understanding is obviously one-sided. This article from the film typology, film semiotics. From the angle of view of film aesthetics, this paper makes a multidimensional and dialectical analysis of "film refers to". Through the theoretical definition of this phenomenon, this paper traces its context on the axis of film history. In the aspect of semiotics, the author demonstrates its inevitability and feasibility, and explains the exclusive interest and cultural representation of "movie reference" in the film acceptance link, bringing this phenomenon, which belongs to film, back to the realm of film theory research.
【作者单位】：四川大学文学与新闻学院;四川省文艺评论家协会;四川大学文学与新闻学院影视艺术系;
【正文快照】： 重复”、“无深度性”等特征时,“电影指涉”常作为例证出现,并被片面地解读为一种后现代“混仿”美学的征候,甚至认为这样的创作手段可能使当代电影滑向“模仿拼贴”的窘境。上述观点几乎将“电影指涉”视为文化语境在好莱坞动画电影《疯狂动物城》(Zootopia)中,一个有趣的场

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