中国主流商业电影的审美与叙事研究

发布时间：2018-01-16 15:24

本文关键词：中国主流商业电影的审美与叙事研究　出处：《浙江大学》2013年博士论文　论文类型：学位论文

【摘要】：2006年的《云水谣》、2007年的《集结号》开启了中国电影的“主流商业电影”时代。此后,主旋律电影商业化和商业电影主旋律化成为国产电影市场化的两种最为重要的路径,而它们都与“主旋律”有着密切的关系。主流商业电影的受众群体是中国新兴的中产阶层,它们意欲表达代表了“新意识形态”的主流价值。在主流商业电影中的中产阶级及其价值的显影也越来越清晰。但是,中国新中产阶层的突发性和对国家意识形态的依附性决定了在主流影像中的“主流价值”是脆弱的、表象性的。本文上篇作了几个文本细读,中产阶级所崇尚的个体、民主、人性、女性关怀等最终并未在叙事文本实现,而是被旧意识形态招安。他们的价值表象只不过为传统意识形态的当代显形作了修饰和掩护。主流商业电影仍然不脱其对主旋律——传统意识形态的诉求惯性。本文正文部分首先论述主流商业电影如何以一套行之有效的美学修辞手法来武装官方意识形态,使它们以一种合时代的、审美的样态呈现出来。这是正文中篇的内容。除了受官方意识形态、中产价值诉求的牵引,主流商业电影的叙事必然受消费主义的塑形。本文下篇论述消费主义诉求如何使主流商业电影呈现出景观化的面貌。本文认为,主流商业电影这一主流媒介叙事并没有能够成功代言主流价值,而是为传统意识形态或新的消费意识形态所洗心革面,而这,正是由新中产阶层与国家意识形态的同一性及其本身的保守性和依附性决定的。
[Abstract]:In 2006, "Yunshui Ballads", 2007's "aggregation" opened the Chinese film "mainstream commercial film" era. Since then. The commercialization of the main melody film and the main melody of the commercial film are the two most important paths of the domestic film marketization, and they are closely related to the "main melody". The audience of mainstream commercial films is the emerging middle class in China. Their intent is to represent the mainstream values of the "new ideology." the middle class and its value in mainstream commercial films are also becoming more and more visible, but. The sudden emergence of the Chinese new middle class and its dependence on the national ideology determine that the "mainstream value" in the mainstream image is fragile and figurative. The individual, democracy, human nature and female care advocated by the middle class are not realized in the narrative text. They are inspired by the old ideologies. Their value representation is only a decoration and cover for the contemporary appearance of the traditional ideology. The mainstream commercial film still has its appeal inertia to the main melody-the traditional ideology. The main part of this paper first discusses how the mainstream commercial film can arm the official consciousness with a set of effective aesthetic rhetorical devices. State. Make them appear in a contemporary, aesthetic manner. This is the content of the text. In addition to being guided by official ideology, middle-class value demands. The narrative of mainstream commercial films is bound to be shaped by consumerism. This paper argues that the mainstream commercial film narrative does not succeed in endorsing the mainstream value, but for the traditional ideology or the new consumer ideology, and this. It is determined by the identity of the new middle class and national ideology and its own conservatism and dependence.
【学位授予单位】：浙江大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：J905;J901

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