《三少爷的剑》中女性形象在当代电影中的嬗变

发布时间：2018-01-16 17:02

本文关键词：《三少爷的剑》中女性形象在当代电影中的嬗变　出处：《当代电影》2017年07期 　论文类型：期刊论文

【摘要】：《三少爷的剑》作为古龙武侠小说的代表作之一,自20世纪70年代以来屡屡被搬上银屏。本文以尔冬升导演的3D电影《三少爷的剑》为例,通过该片与原著的比较分析,揭示影片所表达的女性观与原著作者的不同。本文指出,古龙笔下的女性已沦为男性的"附庸"或"工具",体现出男尊女卑的思想;而尔冬升版电影大大增加了女性角色的分量,表现出前所未有的主体意识与现代性。这是由于创作者的女性观不同、女性主义思想近年来在我国的极大传播、文学与电影改编的要素差异以及视觉文化的需求、电影的商品属性以及消费文化影响下的受众群体与接受方式变化等原因造成的,虽然这次改编毁誉参半,却对日后由武侠小说改编的电影创作提供了很好的启示。
[Abstract]:As one of the masterpieces of cologne's martial arts novels, the sword of the third Young Master has been repeatedly put on the screen since 1970s. This article takes the 3D film "the Sword of the third Young Master" by er Dongsheng as an example. Through the comparative analysis between the film and the original work, the author reveals the difference between the female view and the original author. This paper points out that the female in Gulong's works has become the "vassal" or "tool" of the male. It embodies the thought of inferiority and superiority of men and women; Er Dongsheng film greatly increased the weight of female characters, showing unprecedented subjective consciousness and modernity. This is because the creators have different views on women, feminism in recent years in China's great spread of thought. The differences between the elements of literature and film adaptation and the needs of visual culture, the commodity attributes of the film and the changes of audience groups and the way of acceptance under the influence of consumer culture, etc., although this adaptation has a mixed reputation. However, it provides a good inspiration for the film creation adapted from martial arts novels in the future.
【作者单位】：厦门大学中文系;
【分类号】：J905
【正文快照】： 作为武侠小说的三大宗师之一,古龙以“求新求变”、不拘一格在新派武侠小说界独树一帜。其作品以深厚的侠义精神、深邃的人性挖掘、生动的人物形象、流畅简练的语言表达以及奇谲诡异的艺术风格深受读者欢迎。《三少爷的剑》作为古龙后期的代表作之一,它表达了对名誉、地位、人

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