中国电影史研究的主体性、整体观与具体化

发布时间：2018-01-16 23:01

本文关键词：中国电影史研究的主体性、整体观与具体化　出处：《文艺研究》2016年08期 　论文类型：期刊论文

【摘要】：主体性、整体观与具体化,既是迄今为止中国电影史研究必然提出的三项议程,也是在研究主体、研究观念和研究方法领域寻求突破的重要途径。本文以为,需要检视和反思"中国电影"、"华语电影"与"跨国电影"研究中的难题和问题,通过跟西方文化观念和欧美电影理论所构筑的话语权力进行对话与商讨,在全球化语境里重建中国电影历史研究的主体性;与此同时,也有必要在理性消退、价值冲突、知识碎片的互联网时代,正视因历史和现实所造成的中国电影的独特境遇及其两岸格局和国族意识,搭建一个跨代际、跨地域的时空分析框架,在后现代主义与后殖民主义、文化认同与国族认同的张力之间,确立中国电影史研究的整体观。在此过程中,主张一种具体化的中国电影史研究,亦即尽可能回到历史现场并充分关注中国电影本身的丰富性、复杂性甚至矛盾性,并依循战争(1895—1949)、冷战(1949—1979)与全球化或后冷战(1979—2015)的历史分期,将一个多世纪以来中国电影的反殖民化运动、后殖民化体验和全球化拓展整合在一种差异竞合、多元一体的叙述脉络之中。
[Abstract]:Subjectivity, holistic view and concretization are not only the three items of agenda which must be put forward in the study of Chinese film history up to now, but also the important way to find a breakthrough in the field of research subject, research idea and research method. It is necessary to examine and reflect on the problems and problems in the studies of "Chinese film", "Chinese language film" and "transnational film", and to talk and discuss with the discourse power constructed by western cultural concepts and European and American film theories. Reconstructing the subjectivity of Chinese film history research in the context of globalization; At the same time, it is also necessary to face up to the unique situation of Chinese film caused by history and reality, as well as the cross-Strait pattern and national consciousness in the Internet age of rational regression, value conflict and knowledge fragmentation. To build an intergenerational, cross-regional framework of space-time analysis, between postmodernism and post-colonialism, cultural identity and national identity tension, to establish the overall view of the study of Chinese film history. It advocates a specific study of Chinese film history, that is, to return to the historical scene as far as possible and pay full attention to the richness, complexity and even contradiction of the Chinese film itself, and follow the war 1895-1949). The historical division of the Cold War (1949-1979) and the Globalization or Post-Cold War (1979-2015) will be the anti-colonization movement of Chinese films for more than a century. The post-colonization experience and the development of globalization are integrated in the narrative context of diversity and unity.
【作者单位】：北京大学艺术学院;
【分类号】：J909.2
【正文快照】： 迄今为止,海内外的中国电影史研究已经取得令人瞩目的成果,特别是研究的理论和方法,也呈现出丰富性和多样化的局面。总的来看,以美国、日本或旅居美国、日本的华人学者为中心,在跨国电影研究的框架下,海外中国电影研究已经形成“华语电影”、“白话现代主义与中国早期电影”以

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