百年来中国电影导演创作观念的变迁

发布时间：2018-01-18 15:44

本文关键词：百年来中国电影导演创作观念的变迁　出处：《郑州大学学报(哲学社会科学版)》2017年05期 　论文类型：期刊论文

【摘要】：近百年来,中国电影经历了多个历史时期,出现和历经了多个导演群体,每一代导演群体都有不同的创作理念与创新行为。以张艺谋、陈凯歌为代表的中国第五代电影导演强调影像本体论,把影像造型看作是电影艺术的主要手段。他们的作品大多主观性强,象征性、寓意性也颇为强烈。他们在电影艺术创作实践中的创新观念和审美追求对中国电影艺术的发展有着重要的影响。虽然受商业票房等因素的影响,个别作品偶有过于追求唯美的影像而略显浮夸,但这一导演群体的探索叩开了以中国电影透视社会、呈现时代变迁的美学大门,标志着中国电影开始与时俱进,与世界接轨,并创造了中国电影的辉煌。
[Abstract]:In the last hundred years, Chinese film has experienced many historical periods, appeared and experienced many director groups, each generation of directors have different creative ideas and innovative behavior. Zhang Yimou. The fifth-generation Chinese film directors, represented by Chen Kaige, emphasize image ontology and regard image modeling as the main means of film art. Most of their works are subjective and symbolic. Their creative ideas and aesthetic pursuits in the practice of film art creation have an important influence on the development of Chinese film art, although they are influenced by factors such as commercial box office. Individual works are occasionally too pursuit of aesthetic images and a little grandiose, but the exploration of this group of directors has opened the aesthetic door of the Chinese film perspective society, showing the changes of the times, marking the beginning of the Chinese film with the times. In line with the world, and created a brilliant Chinese film.
【作者单位】：商丘师范学院音乐学院;
【基金】：商丘师范学院申硕工程与科技创新项目基础性研究课题
【分类号】：J911
【正文快照】： 中国电影事业发端于20世纪初,至20年代初有了影片公司。从最初的起步到壮大直至成熟,近百年来中国电影艺术经历了许多历史时期。电影是由编剧、导演、摄影、演员等创作人员来完成的,但唯有导演能从总体上把握剧本所提供的丰富复杂的人生内涵、人物内心深处的思想情感等,能真正

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