灵欲深处的异质探求—邪典电影研究

发布时间：2018-01-19 14:13

本文关键词： 邪典电影午夜场亚文化美学特征　出处：《曲阜师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：邪典电影，即是“Cult movie”的中文释义，通常也被直译做Cult电影或者是Cult片，而在2003年的《环球银幕画刊》杂志中首次将“Cult movie”译作“邪典电影”之后，这一译法很快被广泛接受和流传。邪典电影，并不是一种类型，也不需要有一个封闭的定义，全面的认知邪典电影应该探析：被奉为“邪典”的影片所具有的特征，邪典电影带来了怎样的一种文化现象，邪典电影从“午夜场”中一路走来又得到了怎样的发展。对具有代表性的邪典电影及其引发的邪典电影现象进行研究，探求那些成为“邪典”的影片所具有的美学特质，及其背后那些值得我们探究的价值。本文通过以下几个部分对邪典电影进行研究：首先，本文通过独立电影、地下电影和剥削电影三个概念分别与邪典电影进行比较，发现它们之间所存在的联系，并从中得出邪典电影所具有的特征，而不是把邪典电影置于一个封闭的定义之中，也不把邪典电影理解为是一种电影类型。其次，把邪典电影置于历史的长河，，纵向研究具有代表性的邪典电影，通过对具有代表性的邪典电影进行分析研究，发现成为邪典的电影往往是对于社会亚文化的展现，影片中展现的题材往往是极端的不被大众所接受的，或是在影片的形式上与传统电影的手法大相径庭。所以，这不仅仅是对于邪典电影发展历史的简单梳理，更是以这些具有代表性的影片为参照，更加深入地对邪典电影进行一次较为全面的认知与探讨。第三，本文的第三章和第四章分别从邪典电影本体的角度分析了邪典电影的美学特征和多重价值。这一部分所进行的研究是对邪典电影更加深层次的认知。在这一部分，本文对于邪典电影的风格和内容等美学特征进行了研究，同时也关注了邪典电影之于电影世界和社会文化的价值，而这也是认识这一电影世界的另类为何吸引着小众影迷为之疯狂的重要途径。通过这几个部分的分析研究，明确认识到对于邪典电影的认知应该用开放与发展的眼光，更要正确理解邪典电影所引发的文化现象和邪典电影的诞生与发展与社会文化之间的关系。
[Abstract]:Evil films, or "Cult movie", are often interpreted in Chinese as Cult movies or Cult films. In 2003, "Cult movie" was first translated into "evil film" in the "Universal screen Pictures" magazine, this translation method was quickly accepted and widely spread. It is not a kind of type, nor need to have a closed definition, a comprehensive understanding of evil film should be analyzed: the film is regarded as "evil" with the characteristics of the film, evil classic film brought what kind of cultural phenomenon. What kind of development has the evil classic movie got from "midnight field". This paper studies the typical evil classic film and the phenomenon of the evil classic film caused by it. Explore the aesthetic characteristics of the films that become the "Evil Canon", and the value behind them that we should explore. This article carries on the research through the following several parts to the evil canonical movie: First of all, through the independent film, underground film and exploitative film three concepts are compared with the evil classic film, find out the relationship between them, and get the characteristics of the evil classic film. It is not a closed definition of evil film, nor is it understood as a kind of film. Secondly, put the evil classic film in the long river of history, longitudinal study of the representative evil classic film, through the analysis of the representative evil classic film. It is often found that the films that become the cults are the manifestation of the social subculture, and the subjects displayed in the films are often extremely unacceptable to the public. Or in the form of the film and the traditional film methods are very different. Therefore, this is not only a simple combing of the history of the development of evil film, but also to these representative films as a reference. A more thorough understanding and discussion of the evil film. Number three. The third and 4th chapters of this paper analyze the aesthetic characteristics and multi-value of the evil classic film from the angle of the ontology of the evil classic film respectively. The research in this part is a deeper cognition to the evil classic film. . This article has carried on the research to the esthetics characteristic such as the style and the content of the evil classic movie, and has also paid attention to the value of the evil classic film to the film world and the social culture. This is also an important way to know why the alternative of this film world attracts a small number of fans to be crazy. Through these several parts of the analysis and research, it is clear that the understanding of the evil film should be open and development vision. It is also necessary to correctly understand the cultural phenomenon caused by the evil classic film and the relationship between the birth and development of the evil classic film and the social culture.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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